Author Archives
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Literary Criticism of S.T. Coleridge
The genius of Samuel Taylor Coleridge extended over many domains. In poetry he is best known for compositions such as The Rime of the Ancient Mariner, Frost at Midnight, Christabel, and Kubla Khan, as well as Lyrical Ballads (1798), which he co-authored… Read More ›
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Literary Criticism of William Wordsworth
It was Wordsworth who wrote the following famous lines about the French Revolution as it first appeared to many of its sympathizers: Bliss was it in that dawn to be alive, But to be young was very Heaven! O times,… Read More ›
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Agenda Setting Media Theory
The argument that television news and other genres such as documentaries and current affairs straightforwardly transmit an obviously biased view of the world has been rejected in most quarters of media studies. Nevertheless, while the majority acknowledge that television has… Read More ›
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Wilfred Owen, Siegfried Sassoon and the Poetry of War
1 In The Owl, written in February 1915, three months before he enlisted, Edward Thomas characteristically sets himself on the open road: walking at night feeling hungry, cold and tired. When he enters an inn, though, the exterior world is… Read More ›
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Body Language in Harold Pinter’s Plays
In the millennium year, Harold Pinter reached his seventieth birthday. Looking back over his achievements (as actor, pacifist, playwright, poet, critic, director, creator-adaptor of scripts that have sensitively translated the artistry of novelists into the medium of film, campaigner for… Read More ›
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Violence in Seamus Heaney’s Poetry
hung in the scales with beauty and atrocity (The Grauballe Man) If, as Seamus Heaney says, quoting Borges, ‘poetry lies in the meeting of poem and reader, not in the lines of symbols printed on pages’,1 then we might recognise… Read More ›
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Female Characters in Eugene O’Neill’s Plays
Like many other male writers, Eugene O’Neill created a world populated primarily by men. From the sea plays at the beginning of his career to such late works as The Iceman Cometh and Hughie, men dominate his theatrical space. A… Read More ›
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Literary Criticism of John Dryden
John Dryden (1631–1700) occupies a seminal place in English critical history. Samuel Johnson called him “the father of English criticism,” and affirmed of his Essay of Dramatic Poesy (1668) that “modern English prose begins here.” Dryden’s critical work was extensive, treating… Read More ›
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Literary Criticism of Sir Philip Sidney
Sir Philip Sidney (1554–1586) is often cited as an archetype of the well-rounded “Renaissance man”: his talents were multifold, encompassing not only poetry and cultivated learning but also the virtues of statesmanship and military service. He was born into an aristocratic… Read More ›
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Stephen Greenblatt and New Historicism
While he was teaching at the University of California, Berkeley, Greenblatt helped to found a journal called Representations, in which some of the earlier important New Historicist criticism appeared. However, it was his introduction to The Power of Forms in… Read More ›
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Walter Pater and Aestheticism
Walter Pater (1839–1894) is best known for his phrase “art for art’s sake.” In his insistence on artistic autonomy, on aesthetic experience as opposed to aesthetic object, and on experience in general as an ever vanishing flux, he is a… Read More ›
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Symbolism, Aestheticism and Charles Baudelaire
Known as the founder of French symbolism (though not himself part of the movement), and often associated with the artistic decadence and aestheticism of the later nineteenth century, Baudelaire was born in Paris where he lived a bohemian life, adopting… Read More ›
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Postmodern British Poetry
If the era of ‘postmodernity’ is increasingly seen as ‘a socio-economic mode that has intensified and surpassed modernity itself’ then poetry produced under this new ‘socio-economic mode’ might rightly be dismissed as another form of ‘postmodern’ candyfloss neatly packaged for… Read More ›
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Experimental Form in Victorian Poetry
In 1844, Elizabeth Barrett Browning wanted to write “a poem of a new class,” one that included “[conversations & events” and “philosophical dreaming & digression.”1 She also wanted to purify George Gordon Byron‘s sexually contentious poetry, to write “a Don Juan,… Read More ›
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SET QUESTION PAPERS
To view Previous 9 Years Kerala State Eligibility Test Question Papers – 36 Subjects Click here www.lbscentre.info/set/questions.htm (PDF) To View SET English Question Papers, Click on the Hyperlink 2010 SET 2010 2011 SET 2011 2012 SET 2012 2013 SET 2013 2013 December 2013 dec 2015 June… Read More ›
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HSST 2017 Syllabus
Download PDF HIGHER SECONDARY SCHOOL TEACHER HIGHER SECONDARY SCHOOL TEACHER – ENGLISH (JUNIOR) HSST SYLLABUS PART I MODULE I – CHAUCER TO NEO CLASSICISM Poetry • Geoffrey Chaucer “The Prologue” to The Canterbury Tales • Edmund Spenser “Prothalamion” • William Shakespeare… Read More ›
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UGC CBSE NET ENGLISH EXAM NOVEMBER 2017 ANSWER KEY
PAPER II ENGLISH CODE N03017 UGC CBSE NET ENGLISH EXAM NOVEMBER 2017 ANSWER KEY PAPER III ENGLISH CODE N03017 UGC CBSE NET ENGLISH EXAM NOVEMBER 2017 ANSWER KE1 PAPER II ENGLISH CODE N03017 Q. NO ANSWER Q NO ANSWER 1… Read More ›
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Phenomenology: A Brief Note
Phenomenology refers to a cluster of approaches to philosophical and sociological enquiry and to the study of art, deriving from the work of the German philosopher Edmund Husserl (1859–1938). The diversity of approaches that have been described as phenomenology, not… Read More ›
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