The theatrical quality of du Maurier’s (13 May 1907 – 19 April 1989) novels is evidenced by the frequency and reported ease with which her works were adapted for the big screen. Alfred Hitchcock directed film versions of Jamaica Inn,… Read More ›
Arthur Conan Doyle’s (22 May 1859 – 7 July 1930) epitaph “STEEL TRUE/BLADE STRAIGHT” can also serve as an introduction to the themes of his novels, both those that feature actual medieval settings and those that center on Sherlock Holmes…. Read More ›
Agatha Christie’s (15 September 1890 – 12 January 1976) trademarks in detective fiction brought to maturity the classical tradition of the genre, which was in its adolescence when she began to write. The tradition had some stable characteristics, but she… Read More ›
Ballard (15 November 1930 – 19 April 2009) is one of a handful of writers who, after establishing early reputations as science-fiction writers, subsequently achieved a kind of “transcendence” of their genre origins to be accepted by a wider public…. Read More ›
Almost from the beginning of his career, Kingsley Amis (16 April 1922 – 22 October 1995) enjoyed the attention of numerous commentators. Because his works have been filled with innovations, surprises, and variations in techniques and themes, it is not… Read More ›
From the appearance of her first novel in 1915, Virginia Woolf’s work was received with respect—an important point, since she was extremely sensitive to criticism. Descendant of a distinguished literary family, member of the avant-garde Bloomsbury Group, herself an experienced… Read More ›
Anthony Trollope (24 April 1815 – 6 December 1882) was acknowledged during his lifetime as a prominent though not necessarily a weighty or enduring writer. He wished to entertain and he did so, at least until the late 1860’s when… Read More ›
J. R. R. Tolkien’s (3 January 1892 – 2 September 1973) fiction dismayed most of his fellow scholars at the University of Oxford as much as it delighted most of his general readers. Such reactions sprang from their recognition of… Read More ›
Long remembered as a social satirist par excellence, William Makepeace Thackeray (18 July 1811 – 24 December 1863) wrote more in the manner of Henry Fielding than of Samuel Richardson and more in the realistic vein than in the style… Read More ›
Shelley’s literary reputation rests solely on her first novel, Frankenstein. Her six other novels, which are of uneven quality, are very difficult indeed to find, even in the largest libraries. Nevertheless, Mary Shelley lays claim to a dazzling array of… Read More ›
Perhaps Richardson’s (19 August 1689 – 4 July 1761) most important contribution to the development of the novel was his concern for the nonexceptional problems of daily conduct, the relationships between men and women, and the specific class-and-caste distinctions of… Read More ›
When Wide Sargasso Sea, her last novel, was published, Jean Rhys (24 August 1890 – 14 May 1979) was described in The New York Times as the greatest living novelist. Such praise is overstated, but Rhys’s fiction, long overlooked by… Read More ›
George Eliot’s (22 November 1819 – 22 December 1880) pivotal position in the history of the novel is attested by some of the most distinguished novelists. Reviewing Middlemarch in 1873, Henry James concluded, “It sets a limit, we think, to… Read More ›
Margaret Drabble’s (born 5 June 1939) novels charm and delight, but perhaps more significantly, they reward their readers with a distinctively modern woman’s narrative voice and their unusual blend of Victorian and modern structures and concerns. Although there seems to… Read More ›
Walter De la Mare (25 April 1873 – 22 June 1956) published only five novels, one of which, At First Sight, is more a long short story than a true novel. His fiction is metaphorical and resembles his poetry in… Read More ›
In the late twentieth century, Joseph Conrad (3 December 1857 – 3 August 1924) enjoyed an extraordinary renaissance in readership and in critical attention. Readers and critics alike have come to recognize that although one of Conrad’s last novels, The… Read More ›
Collins’s reputation nearly a century after his death rests almost entirely on two works—The Woman in White, published serially in All the Year Round between November 26, 1859, and August 25, 1860; and The Moonstone, published in 1868. About this… Read More ›
In the late nineteenth century, George Meredith (12 February 1828 – 18 May 1909) achieved the status of a literary dictator or arbiter of taste. The path toward this recognition was, however, a long and arduous one. For years, Meredith… Read More ›
W. Somerset Maugham’s (25 January 1874 – 16 December 1965) twenty novels are exceptionally uneven; the first eight, though interesting, suggest the efforts of a young novelist to discover where his talent lies. From the publication of Of Human Bondage… Read More ›
Doris Lessing (22 October 1919 – 17 November 2013) has been one of the most widely read and influential British novelists of the second half of the twentieth century. Her works have been translated into many languages and have inspired critical attention… Read More ›
Best known for his short fiction, Rudyard Kipling (30 December 1865 – 18 January 1936) wrote more than 250 stories. His style of leaving a story open-ended with the tantalizing phrase “But that’s another story” established his reputation for unlimited storytelling…. Read More ›
“The test of a first-rate intelligence,” F. Scott Fitzgerald (September 24, 1896 – December 21, 1940) remarked in the late 1930’s, “is the ability to hold two opposed ideas in the mind at the same time, and still retain the… Read More ›
Although A Journal of the Plague Year is not Daniel Defoe’s first work of fiction, it offers an interesting perspective from which to examine all of the author’s novels. Purporting to be a journal, one man’s view of a period… Read More ›
The novels and short stories of Alice Adams are excellent studies in time and place. Adams captures the setting and surroundings and, more important, the dialogue, which is never forced. A native of Virginia, Adams is especially adept at drawing… Read More ›
Human loss, disappearance, allocation of responsibility, anguish, and futility stand out as the main issues that figure in Kōbō Abe’s (March 7, 1924 – January 22, 1993) writings. At first, Abe treated such matters mostly in a serious way. Gradually,… Read More ›
Two dominant forces ruled Shmuel Yosef Agnon’s life: the Torah as the essence of a meaningful life and Eretz Yisrael, the Land of Israel, as the ancestral homeland for the Jew. On a personal basis, Agnon integrated these passions into… Read More ›
E. M. Forster’s (1 January 1879 – 7 June 1970) most systematic exposition of the novelist’s art, Aspects of the Novel, is no key to his own practice. Written three years after the publication of A Passage to India, the… Read More ›
Fyodor Dostoevski’s (11 November 1821 – 9 February 1881) creative development is roughly divided into two stages. The shorter pieces, preceding his imprisonment, reflect native and foreign literary influences, although certain topics and stylistic innovations that became Dostoevski’s trademarks were already… Read More ›
Most of Charles Bukowski’s writing examines his life as a drunk, drifter, gambler, loner, and unemployed and unemployable creature of habit. As noted in many documentaries, biographies, and accounts of Bukowski’s life, however, he also had a gentle side. As… Read More ›
Karel Capek (9 January 1890 – 25 December 1938) was a philosophical writer par excellence regardless of the genre that he employed in a given work, but the form of long fiction in particular afforded him the amplitude to express complicated philosophical… Read More ›
The search for self and for autonomy is the underlying theme of most of Angela Carter’s ) ( 7 May 1940 – 16 February 1992), fiction. Her protagonists, usually described as bored or in some other way detached from their… Read More ›
Buchi Emecheta’s (21 July 1944 – 25 January 2017) novels deal principally with the life experiences of Nigerian women, who are subordinated in an indigenous society deeply influenced by the Western values introduced by British colonists. Other Nigerian women, those… Read More ›
The reader interested in understanding any of the works of Nikos Kazantzakis would do well to begin by reading Salvatores Dei: Asketike (1927; The Saviors of God: Spiritual Exercises, 1960). In this short philosophical expostulation, Kazantzakis expresses succinctly his strange… Read More ›
Anita Brookner (16 July 1928 – 10 March 2016) established her reputation as a novelist with four books published in rapid succession from 1981 to 1984. Written in austerely elegant prose, each of these four novels follows essentially the same… Read More ›
The fictional world of Mario Vargas Llosa is one of complex novels, of murals of characters, of actions whose significance the reader must determine, of vast edifices that aspire to become total realities. Vargas Llosa’s vision of reality is consistently… Read More ›
Like other novelists in Africa during the years just before and after independence, Wole Soyinka faced the question of ethnic and cultural identity. The now notorious negritude movement, begun in the 1930’s, had attempted to promote a pan-African identity by… Read More ›
Leo Tolstoy’s literary works may be viewed as repeated assaults on Romantic conventions. His view, expressed numerous times throughout his diary, was that such conventions blind both writer and reader to reality. Thus, his goal was to construct a new… Read More ›
A knowledge of Iris Murdoch’s (15 July 1919 – 8 February 1999) philosophical and critical essays is invaluable for the reader wishing to understand her fiction. Her moral philosophy, which entails a rejection of existentialism, behaviorism, and linguistic empiricism, informs… Read More ›
Ngugi wa Thiong’o’s (born 5 January 1938) fiction, like that of many contemporary African novelists, is highly political: It portrays the traumatic transition from colonized culture to an independent African society. His novels illustrate with unmatched clarity the problems created by… Read More ›
Although contemporary South Africa is seldom mentioned or referred to explicitly in most of J. M. Coetzee’s (born 9 February 1940) novels, the land and the concerns of that country permeate his works. One may see this indirect approach as… Read More ›
Until 1991, when the last of South Africa’s apartheid laws was repealed, to be personally liberated and to be South African was to be doomed to a continuing struggle between the desire for further freedom and development for oneself and… Read More ›
In The Courage to Be (1952), Paul Tillich asserts that “the decisive event which underlies the search for meaning and the despair of it in the twentieth century is the loss of God in the nineteenth century.” Most critics of… Read More ›
Analysis D. H. Lawrence occupies an ambiguous position with respect to James Joyce, Marcel Proust, T. S. Eliot, and the other major figures of the modernist movement. While on one hand he shared their feelings of gloom about the degeneration… Read More ›
If it is true that writers and artists should spend their entire lives and careers investigating, examining, and trying to understand the same themes, then Haruki Murakami (born January 12, 1949) is a prime example of how to do this… Read More ›
Although Günter Grass’s (1927 – 2015) novel The Tin Drum forms the first part of the Danzig Trilogy and shares some characters, events, and themes with Cat and Mouse and Dog Years, the novel was conceived independently and can be discussed… Read More ›
Two persistent themes animate all of Albert Camus’s writing and underlie his artistic vision: One is the enigma of the universe, which is breathtakingly beautiful yet indifferent to life; the other is the enigma of man, whose craving for happiness… Read More ›
A common link among Kazuo Ishiguro’s (born 8 November 1954) novels is the prominence of the first-person narrator, through whose meandering thoughts the story unfolds. Readers soon discover, however, that these central voices are rather unreliable in their accounts of… Read More ›
Anita Desai’s (born 24 June 1937) novels reveal certain recurring patterns in plots, settings, and characterizations. The plots of her novels fuse two opposing propensities—one toward the gothic mystery and the other toward the philosophical novel. The gothic orientation, which Desai… Read More ›
Many Western readers, ignorant of Islam and Hinduism, the 1947 partition of the Indian subcontinent and the creation of Pakistan, the India-Pakistan war of 1965, and the Pakistani civil war of 1974, may tend to read Salman Rushdie’s (born 19… Read More ›
Gabriel García Márquez (1927 – 2014) denies that the fictional world he describes in his novels is a world of fantasy. In an article about fantasy and artistic creation in Latin America, he concludes: “Reality is a better writer than… Read More ›
None of Milan Kundera’s novels fits into the traditional concept of the novel. Each is an experimental foray into the unknown, although well prepared and supported by the literary legacy of Jaroslav Hašek, Karel Capek, and Vancura. This is particularly… Read More ›
The “Dickens World,” as Humphrey House calls it, is one of sharp moral contrast, a world in which the selfseeking— imprisoned in their egotism—rub shoulders with the altruistic, freed from the demands of self by concern for others; a world… Read More ›
It was a matter of some pleasure to Samuel Beckett (13 April 1906 – 22 December 1989) that his work resists explication. His most important novels and plays are artfully constructed contemplations on their own form rather than commentaries on… Read More ›
Analysis Simone de Beauvoir’s novels are grounded in her training as a philosopher and in her sociological and feminist concerns. She Came to Stay, The Blood of Others, All Men Are Mortal, and The Mandarins all revolve around the questions… Read More ›
Many critics maintain that the impulse that prompted Miguel de Cervantes (1547 – 1616) to begin his great novel was a satiric one: He desired to satirize chivalric romances. As the elderly Alonso Quixano the Good (if that is his… Read More ›
Jane Austen’s (16 December 1775 – 18 July 1817) novels—her “bits of ivory,” as she modestly and perhaps half-playfully termed them—are unrivaled for their success in combining two sorts of excellence that all too seldom coexist. Meticulously conscious of her artistry… Read More ›
The individualism and richness of Charlotte Brontë’s (21 April 1816 – 31 March 1855) work arise from the multiple ways in which Brontë’s writing is personal: observation and introspection, rational analysis and spontaneous emotion, accurate mimesis and private symbolism. Tension… Read More ›
Bessie Head’s (6 July 1937 – 17 April 1986) writing occupies a transitional place in African literature between the domestic, village-centered writing of the 1950’s and 1960’s and the more overtly political and urban writing—much of it written by exiles in… Read More ›
The name Franz Kafka (3 July 1883 – 3 June 1924) conjures up images of a world without a center, of people alienated both from society and from themselves. Kafka lived at the threshold of the modern technological world, and… Read More ›
Wuthering Heights is constructed around a series of dialectic motifs that interconnect and unify the elements of setting, character, and plot. An examination of these motifs will give the reader the clearest insight into the central meaning of the novel…. Read More ›
Chinua Achebe (1930 – 2013) is probably both the most widely known and the most representative African novelist. He may very well have written the first African novel of real literary merit—such at least is the opinion of Charles Larson—and he deals… Read More ›
A distinctive literature about childhood has existed since the Victorian era, but not so about adolescence as a stage of life with its own integrity, concerns, and distinct problems. Teachers, librarians, and parents argue that the classics of world literature… Read More ›
The term “fantasy” refers to all works of fiction that attempt neither the realism of the realistic novel nor the “conditional realism” of science fiction. Among modern critics, the primacy of the realistic novel is taken for granted. Realistic novels… Read More ›
The emergence of the “modern” novel in the eighteenth century, with its emphasis on narrative realism and its intimate involvement with the affairs of everyday life, is correlated with a gradual separation between mundane and imaginative fiction, a crucial breaking… Read More ›
From the ancient belief in humors to the twentieth and twenty-first centuries’ psychoanalytic and pharmacological methodologies, diverse theories about the mind have affected the literary production of novelists. Categorization according to these theories is difficult, because authors tend to mix… Read More ›
The Spanish words picaresque and picaro achieved currency in Spain shortly after 1600. Today they are terms in literary criticism, sometimes misused because of the vague meaning attached to them. The revival of the genre in the twentieth century was… Read More ›
One way to understand the modern novel is to show its development in the work of writers such as Joseph Conrad, Marcel Proust, James Joyce, Virginia Woolf, Franz Kafka, and William Faulkner. This list is by no means exclusive, but… Read More ›
Iconoclastic and irreverent, the postmodern novel is by definition a radical experiment that emerges when a writer feels the customary tropes of fiction have been exhausted. For the postmodernist, the well-worn genre of the novel is insufficient and no longer… Read More ›
After a few minutes of reading stories that are not selfreflexive, readers sometimes forget what they are doing and feel transported into the world of the book. Considering this experience naïve, authors of self-reflexive fictions thwart it by such devices… Read More ›
Homosexuality, traditionally regarded as a disease or perversion by church, state, and society, was rigorously denounced and condemned by those same institutions. In the case of the arts and literature, works featuring homoeroticism or gays and lesbians as characters were… Read More ›
The epistolary novel, a prominent form among modern fictions, is defined as a novel presented wholly, or nearly so, in familiar letter form. Its history reaches back to classical literature, taking special inspiration from the separate traditions of the Roman… Read More ›
By the end of the nineteenth century, writers interested in exploring supernatural themes had abandoned the mode of gothic fiction pioneered by eighteenth century English novelist Horace Walpole. Walpole and his imitators had exploited such props as medieval ruins and… Read More ›
The detective story is a special branch of crime fiction that focuses attention on the examination of evidence that will lead to the solution of the mystery. The Oxford English Dictionary records the first printed use of the noun “detective”… Read More ›
Espionage—spying on enemies to obtain strategic information—is an age-old practice, but its treatment in fiction did not begin in earnest until the late nineteenth century. With this new theme, writers could begin to explore questions of courage, loyalty, and patriotism… Read More ›
The gothic novel is a living tradition, a form that enjoys great popular appeal while provoking harsh critical judgments. It began with Horace Walpole’s The Castle of Otranto (1765), then traveled through Ann Radcliffe, Matthew Gregory Lewis, Charles Robert Maturin,… Read More ›
The term “African,” when applied in this essay to the novel and other literary genres, does not include the Arab states of the north or the peoples of European descent who may have settled in Africa. It refers to the… Read More ›
A discussion of postcolonial literature must first acknowledge the scope and complexity of the term “postcolonial.” Temporally, the term designates any national literature written after the nation gained independence from a colonizing power. According to this definition, all literature written… Read More ›
Literature is forever transforming. A new literary age is new precisely because its important writers do things differently from their predecessors. Thus, it could be said that almost all significant literature is in some sense innovative or experimental at its… Read More ›
When Ursula K. Le Guin (October 21, 1929 – January 22, 2018) has Genly Ai state in The Left Hand of Darkness that “truth is a matter of the imagination,” she is indirectly summarizing the essential focus of her fiction:… Read More ›