Arthur Conan Doyle’s (22 May 1859 – 7 July 1930) epitaph “STEEL TRUE/BLADE STRAIGHT” can also serve as an introduction to the themes of his novels, both those that feature actual medieval settings and those that center on Sherlock Holmes…. Read More ›
Agatha Christie’s (15 September 1890 – 12 January 1976) trademarks in detective fiction brought to maturity the classical tradition of the genre, which was in its adolescence when she began to write. The tradition had some stable characteristics, but she… Read More ›
Ballard (15 November 1930 – 19 April 2009) is one of a handful of writers who, after establishing early reputations as science-fiction writers, subsequently achieved a kind of “transcendence” of their genre origins to be accepted by a wider public…. Read More ›
Almost from the beginning of his career, Kingsley Amis (16 April 1922 – 22 October 1995) enjoyed the attention of numerous commentators. Because his works have been filled with innovations, surprises, and variations in techniques and themes, it is not… Read More ›
From the appearance of her first novel in 1915, Virginia Woolf’s work was received with respect—an important point, since she was extremely sensitive to criticism. Descendant of a distinguished literary family, member of the avant-garde Bloomsbury Group, herself an experienced… Read More ›
Anthony Trollope (24 April 1815 – 6 December 1882) was acknowledged during his lifetime as a prominent though not necessarily a weighty or enduring writer. He wished to entertain and he did so, at least until the late 1860’s when… Read More ›
J. R. R. Tolkien’s (3 January 1892 – 2 September 1973) fiction dismayed most of his fellow scholars at the University of Oxford as much as it delighted most of his general readers. Such reactions sprang from their recognition of… Read More ›
Long remembered as a social satirist par excellence, William Makepeace Thackeray (18 July 1811 – 24 December 1863) wrote more in the manner of Henry Fielding than of Samuel Richardson and more in the realistic vein than in the style… Read More ›
Shelley’s literary reputation rests solely on her first novel, Frankenstein. Her six other novels, which are of uneven quality, are very difficult indeed to find, even in the largest libraries. Nevertheless, Mary Shelley lays claim to a dazzling array of… Read More ›
Perhaps Richardson’s (19 August 1689 – 4 July 1761) most important contribution to the development of the novel was his concern for the nonexceptional problems of daily conduct, the relationships between men and women, and the specific class-and-caste distinctions of… Read More ›
When Wide Sargasso Sea, her last novel, was published, Jean Rhys (24 August 1890 – 14 May 1979) was described in The New York Times as the greatest living novelist. Such praise is overstated, but Rhys’s fiction, long overlooked by… Read More ›
Henry Fielding’s (22 April 1707 – 8 October 1754) lasting achievements in prose fiction—in contrast to his passing fame as an essayist, dramatist, and judge—result from his development of critical theory and from his aesthetic success in the novels themselves…. Read More ›
George Eliot’s (22 November 1819 – 22 December 1880) pivotal position in the history of the novel is attested by some of the most distinguished novelists. Reviewing Middlemarch in 1873, Henry James concluded, “It sets a limit, we think, to… Read More ›
Margaret Drabble’s (born 5 June 1939) novels charm and delight, but perhaps more significantly, they reward their readers with a distinctively modern woman’s narrative voice and their unusual blend of Victorian and modern structures and concerns. Although there seems to… Read More ›
Walter De la Mare (25 April 1873 – 22 June 1956) published only five novels, one of which, At First Sight, is more a long short story than a true novel. His fiction is metaphorical and resembles his poetry in… Read More ›
In the late twentieth century, Joseph Conrad (3 December 1857 – 3 August 1924) enjoyed an extraordinary renaissance in readership and in critical attention. Readers and critics alike have come to recognize that although one of Conrad’s last novels, The… Read More ›
Although George Orwell (25 June 1903 – 21 January 1950) is widely recognized as one of the best essayists of the twentieth century, his reputation as a novelist rests almost entirely on two works: the political allegory Animal Farm and… Read More ›
In the late nineteenth century, George Meredith (12 February 1828 – 18 May 1909) achieved the status of a literary dictator or arbiter of taste. The path toward this recognition was, however, a long and arduous one. For years, Meredith… Read More ›
W. Somerset Maugham’s (25 January 1874 – 16 December 1965) twenty novels are exceptionally uneven; the first eight, though interesting, suggest the efforts of a young novelist to discover where his talent lies. From the publication of Of Human Bondage… Read More ›
Doris Lessing (22 October 1919 – 17 November 2013) has been one of the most widely read and influential British novelists of the second half of the twentieth century. Her works have been translated into many languages and have inspired critical attention… Read More ›
Best known for his short fiction, Rudyard Kipling (30 December 1865 – 18 January 1936) wrote more than 250 stories. His style of leaving a story open-ended with the tantalizing phrase “But that’s another story” established his reputation for unlimited storytelling…. Read More ›
In a period of just over thirty years (1663-1694), John Dryden (August 9, 1631 – May 12, 1700) wrote or coauthored twenty-eight plays, an output that made him the most prolific dramatist of his day. His amplitude remains even more remarkable… Read More ›
William Congreve’s (24 January 1670 – 19 January 1729) first play, The Old Bachelor, was an instant success; its initial run of fourteen days made it the most popular play since Thomas Otway’s Venice Preserved (pr., pb. 1682). The Double-Dealer… Read More ›
During his first period of playwriting (1963-1972), Lanford Wilson (April 13, 1937 – March 24, 2011) struggled to learn his trade—mainly in the convivial atmosphere of Off-Off-Broadway, where it did not matter if sometimes audiences did not show up. His… Read More ›
Arthur Miller (October 17, 1915 – February 10, 2005) has been acclaimed as one of the most distinguished American dramatists since Eugene O’Neill, the father of modern American drama. Because of his direct engagement with political issues and with the… Read More ›
William Wycherley’s (8 April 1641 – 1 January 1716) dramatic canon consists of only four plays, and his stature in English letters depends almost entirely on a single work, The Country Wife. In his own day, The Plain-Dealer was his… Read More ›
Michel Tremblay (born 25 June 1942) is part of a new generation of playwrights that emerged in Quebec during the 1960’s and 1970’s, a time of profound political and cultural change for this province. Led by Tremblay, these writers saw… Read More ›
Wendy Wasserstein (October 18, 1950 – January 30, 2006) has been hailed as the foremost theatrical chronicler of the lives of women of her generation. Her plays, steeped in her unique brand of humor, are moving, sometimes wrenching explorations of… Read More ›
To accuse Oscar Wilde (16 October 1854 – 30 November 1900) of anything so active-sounding as “achievement” would be an impertinence that the strenuously indolent author would most likely deplore. Yet it must be admitted that Wilde’s presence, poses, ideas,… Read More ›
Stephen Sondheim (born. March 22, 1930) was the most critically acclaimed figure in American musical theater during the last three decades of the twentieth century. Sondheim has won the Tony Award for Best Original Score five times, more than any… Read More ›
Tremendously influential in both Europe and the United States, August Strindberg (22 January 1849 – 14 May 1912) was begrudgingly praised by Henrik Ibsen as one who would be greater than he, and more generously lauded half a century later… Read More ›
Neil Simon (July 4, 1927 – August 26, 2018) has established himself as a leading American playwright of the late twentieth century. As a master of domestic comedy and one-line humor, his popular appeal was established early in his career…. Read More ›
Richard Brinsley Sheridan (30 October 1751 – 7 July 1816) was the best playwright of eighteenth century England, a time of great actors rather than great playwrights. Judged on theatrical rather than strictly literary merit, Sheridan also ranks with the… Read More ›
The first author ever to have had two plays (French Without Tears and While the Sun Shines) run for more than one thousand performances each on London’s West End, Terence Rattigan (10 June 1911 – 30 November 1977) was one… Read More ›
Ntozake Shange’s (October 18, 1948 – October 27, 2018) work embodies a rich confusion of genres and all the contradictions inherent in a world in which violence and oppression polarize life and art. These polarizations in Shange’s work both contribute… Read More ›
Few dramatists can lay claim to the universal reputation achieved by William Shakespeare. His plays have been translated into many languages and performed on amateur and professional stages throughout the world. Radio, television, and film versions of the plays in… Read More ›
Much of J. B. Priestley’s ((13 September 1894 – 14 August 1984)) drama explores the oneness of all human beings. That notion leads the dramatist to view individuals as members of a charmed or magic circle. The circle is continually… Read More ›
Christopher Durang (born January 2, 1949) belongs to the postmodernist wave of American playwrights who emerged during the 1970’s, including A. R. Gurney, Jr., Tina Howe, and Sam Shepard. These writers fused the experimental techniques of the structuralist theater experiments… Read More ›
Henrik Ibsen (20 March 1828 – 23 May 1906) is widely acknowledged as the father of modern drama, but his significance in literature and history overshadows the influence of his revolutionary stage techniques and his iconoclastic concept of the theater…. Read More ›
As a playwright, composer, lyricist, producer, director, author, and actor, Noël Coward (16 December 1899 – 26 March 1973) spent his life entertaining the public. This he did with a flair, sophistication, and polish that are not readily found in… Read More ›
Early in his career, during and after World War I, Jean Cocteau (5 July 1889 – 11 October 1963) wrote scenarios for ballets and adaptations of Greek myths. His plays of the late 1920’s and early 1930’s were highly original… Read More ›
Caryl Churchill (born 3 September 1938, London) has become well known for her willingness to experiment with dramatic structure. Her innovations in this regard are sometimes so startling and compelling that reviewers tend to focus on the novelty of her… Read More ›
It may be said that Frank Chin (born February 25, 1940) has pioneered in the field of Asian American literature. His daring and verbally exuberant theater has asserted the presence of the richly unique and deeply human complexities of Chinese… Read More ›
With labels flourishing during the new era in drama (Osborne’s angry theater, Beckett’s Theater of the Absurd, Pinter’s comedy of menace, Arnold Wesker’s kitchen-sink drama), Alan Ayckbourn (born 12 April 1939), too, has been honored with his own label, the… Read More ›
Despite the fifth century b.c.e. Athenian political and religious issues that are diffused more often in Aeschylus’s tragedies than in those of Sophocles and Euripides and that demand some historical explanation for the modern reader, the plays of Aeschylus (c…. Read More ›
Anton Chekhov (29 January 1860 – 15 July 1904 was talking about other writers when he said, “The best of them are realists and depict life as it is, but because every line they write is permeated, as with a juice, by… Read More ›
Karel Capek (9 January 1890 – 25 December 1938) was concerned with the natural order of things, a theme that pervaded much of his work. His allegorical approach to expressionism linked his deep philosophical concerns to striking and often disturbing human… Read More ›
The dramatic works of Samuel Beckett (13 April 1906 – 22 December 1989) reflect the evolution of his interests in various means of artistic expression, as he composed plays for stage, radio, cinema, and television. In his stage plays, he… Read More ›
If the weight of critical opinion places Tennessee Williams (March 26, 1911 – February 25, 1983), below Eugene O’Neill as America’s premiere dramatist, there should be no question that the former playwright is without peer in either the diversity of… Read More ›
Working with forms ranging from the morality play to avant-garde expressionism, Amiri Baraka (October 7, 1934 – January 9, 2014) throughout his career sought to create dramatic rituals expressing the intensity of the physical and psychological violence that dominates his… Read More ›
Sam Shepard (November 5, 1943 – July 27, 2017) was one of the United States’ most prolific, most celebrated, and most honored playwrights. Writing exclusively for the Off-Broadway and Off-Off-Broadway theater, Shepard has nevertheless won eleven Obie Awards (for Red… Read More ›
The young Jean Anouilh (23 June 1910 – 3 October 1987) arrived in Paris during one of the richest periods of French dramatic activity since the seventeenth century. Recently rescued from the commercial doldrums by a “Cartel” of four brilliant… Read More ›
When, in 1893, John Millington Synge (16 April 1871 – 24 March 1909) was choosing between musical and literary careers, two seminal documents were published that would profoundly affect his decision and form the character of his subsequent work. These… Read More ›
John Osborne’s (12 December 1929 – 24 December 1994) most generous critics credit him with having transformed the English stage on a single night: May 8, 1956, when Look Back in Anger opened at the Royal Court Theatre. He is… Read More ›
George Bernard Shaw (26 July 1856 – 2 November 1950) came to an English theater settled into the well-made play, a theater that had not known a first-rate dramatist for more than a century. The pap on which its audiences… Read More ›
Tom Stoppard’s (born. 3 July 1937) dramaturgy reveals a cyclical pattern of activity. He tends to explore certain subjects or techniques in several minor works, then creates a major play that integrates the fruits of his earlier trial runs. Thus… Read More ›
In Each in His Own Way, Luigi Pirandello (28 June 1867 – 10 December 1936) playfully has one of his characters ask another to justify his incessant “harping on this illusion and reality string.” So persistent is Pirandello’s dramatic examination… Read More ›
Harold Pinter (10 October 1930 – 24 December 2008) is sometimes associated with the generation of British playwrights who emerged in the 1950’s and are known as the Angry Young Men. His first plays, with their dingy, working-class settings and surface… Read More ›
Although Eugène Ionesco’s (26 November 1909 – 28 March 1994) dramatic art is often traced to such precursors as the plays of Alfred Jarry and Antonin Artaud, it is essentially sui generis, springing primarily from nightmarish visions deeply rooted in… Read More ›
Bertolt Brecht’s (10 February 1898 – 14 August 1956) early dramas are anarchic, nihilistic, and antibourgeois. In them, he glorifies antisocial outsiders such as adventurers, pirates, and prostitutes; the tone of these works is often cynical. In the years after… Read More ›
Though he is touted sometimes as the chief American practitioner of the absurd in drama, Edward Albee (March 12, 1928 – September 16, 2016) only rarely combines in a single work both the techniques and the philosophy associated with that… Read More ›
Friedrich Nietzsche (1844–1900 ce) is one of the most controversial figures in the history of philosophy. He also has become one of its most diversely influential thinkers. He was never an “academic philosopher” either by education or by profession, and… Read More ›
Jacques Derrida (1930–2004), a leading figure in French post-structuralist philosophy, is renowned for having developed deconstruction. His prolific writings treat both philosophical and literary works, and do so in various ways, of which deconstruction is the most philosophically significant. The… Read More ›
“The test of a first-rate intelligence,” F. Scott Fitzgerald (September 24, 1896 – December 21, 1940) remarked in the late 1930’s, “is the ability to hold two opposed ideas in the mind at the same time, and still retain the… Read More ›
Although A Journal of the Plague Year is not Daniel Defoe’s first work of fiction, it offers an interesting perspective from which to examine all of the author’s novels. Purporting to be a journal, one man’s view of a period… Read More ›
The novels and short stories of Alice Adams are excellent studies in time and place. Adams captures the setting and surroundings and, more important, the dialogue, which is never forced. A native of Virginia, Adams is especially adept at drawing… Read More ›
Human loss, disappearance, allocation of responsibility, anguish, and futility stand out as the main issues that figure in Kōbō Abe’s (March 7, 1924 – January 22, 1993) writings. At first, Abe treated such matters mostly in a serious way. Gradually,… Read More ›
Two dominant forces ruled Shmuel Yosef Agnon’s life: the Torah as the essence of a meaningful life and Eretz Yisrael, the Land of Israel, as the ancestral homeland for the Jew. On a personal basis, Agnon integrated these passions into… Read More ›
E. M. Forster’s (1 January 1879 – 7 June 1970) most systematic exposition of the novelist’s art, Aspects of the Novel, is no key to his own practice. Written three years after the publication of A Passage to India, the… Read More ›
Fyodor Dostoevski’s (11 November 1821 – 9 February 1881) creative development is roughly divided into two stages. The shorter pieces, preceding his imprisonment, reflect native and foreign literary influences, although certain topics and stylistic innovations that became Dostoevski’s trademarks were already… Read More ›
Most of Charles Bukowski’s writing examines his life as a drunk, drifter, gambler, loner, and unemployed and unemployable creature of habit. As noted in many documentaries, biographies, and accounts of Bukowski’s life, however, he also had a gentle side. As… Read More ›
Characterization is the foundation of C. P. Snow’s (15 October 1905 – 1 July 1980) fiction. While theme and idea, as one might expect from a writer as political and engagé as was Snow, are important to his work, and… Read More ›
Karel Capek (9 January 1890 – 25 December 1938) was a philosophical writer par excellence regardless of the genre that he employed in a given work, but the form of long fiction in particular afforded him the amplitude to express complicated philosophical… Read More ›
The search for self and for autonomy is the underlying theme of most of Angela Carter’s ) ( 7 May 1940 – 16 February 1992), fiction. Her protagonists, usually described as bored or in some other way detached from their… Read More ›
Buchi Emecheta’s (21 July 1944 – 25 January 2017) novels deal principally with the life experiences of Nigerian women, who are subordinated in an indigenous society deeply influenced by the Western values introduced by British colonists. Other Nigerian women, those… Read More ›
The reader interested in understanding any of the works of Nikos Kazantzakis would do well to begin by reading Salvatores Dei: Asketike (1927; The Saviors of God: Spiritual Exercises, 1960). In this short philosophical expostulation, Kazantzakis expresses succinctly his strange… Read More ›
Anita Brookner (16 July 1928 – 10 March 2016) established her reputation as a novelist with four books published in rapid succession from 1981 to 1984. Written in austerely elegant prose, each of these four novels follows essentially the same… Read More ›
The fictional world of Mario Vargas Llosa is one of complex novels, of murals of characters, of actions whose significance the reader must determine, of vast edifices that aspire to become total realities. Vargas Llosa’s vision of reality is consistently… Read More ›
Like other novelists in Africa during the years just before and after independence, Wole Soyinka faced the question of ethnic and cultural identity. The now notorious negritude movement, begun in the 1930’s, had attempted to promote a pan-African identity by… Read More ›
Leo Tolstoy’s literary works may be viewed as repeated assaults on Romantic conventions. His view, expressed numerous times throughout his diary, was that such conventions blind both writer and reader to reality. Thus, his goal was to construct a new… Read More ›
A knowledge of Iris Murdoch’s (15 July 1919 – 8 February 1999) philosophical and critical essays is invaluable for the reader wishing to understand her fiction. Her moral philosophy, which entails a rejection of existentialism, behaviorism, and linguistic empiricism, informs… Read More ›
Ngugi wa Thiong’o’s (born 5 January 1938) fiction, like that of many contemporary African novelists, is highly political: It portrays the traumatic transition from colonized culture to an independent African society. His novels illustrate with unmatched clarity the problems created by… Read More ›
Although contemporary South Africa is seldom mentioned or referred to explicitly in most of J. M. Coetzee’s (born 9 February 1940) novels, the land and the concerns of that country permeate his works. One may see this indirect approach as… Read More ›
Until 1991, when the last of South Africa’s apartheid laws was repealed, to be personally liberated and to be South African was to be doomed to a continuing struggle between the desire for further freedom and development for oneself and… Read More ›
In The Courage to Be (1952), Paul Tillich asserts that “the decisive event which underlies the search for meaning and the despair of it in the twentieth century is the loss of God in the nineteenth century.” Most critics of… Read More ›
Analysis D. H. Lawrence occupies an ambiguous position with respect to James Joyce, Marcel Proust, T. S. Eliot, and the other major figures of the modernist movement. While on one hand he shared their feelings of gloom about the degeneration… Read More ›
If it is true that writers and artists should spend their entire lives and careers investigating, examining, and trying to understand the same themes, then Haruki Murakami (born January 12, 1949) is a prime example of how to do this… Read More ›
Although Günter Grass’s (1927 – 2015) novel The Tin Drum forms the first part of the Danzig Trilogy and shares some characters, events, and themes with Cat and Mouse and Dog Years, the novel was conceived independently and can be discussed… Read More ›
Two persistent themes animate all of Albert Camus’s writing and underlie his artistic vision: One is the enigma of the universe, which is breathtakingly beautiful yet indifferent to life; the other is the enigma of man, whose craving for happiness… Read More ›
A common link among Kazuo Ishiguro’s (born 8 November 1954) novels is the prominence of the first-person narrator, through whose meandering thoughts the story unfolds. Readers soon discover, however, that these central voices are rather unreliable in their accounts of… Read More ›
Anita Desai’s (born 24 June 1937) novels reveal certain recurring patterns in plots, settings, and characterizations. The plots of her novels fuse two opposing propensities—one toward the gothic mystery and the other toward the philosophical novel. The gothic orientation, which Desai… Read More ›
Many Western readers, ignorant of Islam and Hinduism, the 1947 partition of the Indian subcontinent and the creation of Pakistan, the India-Pakistan war of 1965, and the Pakistani civil war of 1974, may tend to read Salman Rushdie’s (born 19… Read More ›
Gabriel García Márquez (1927 – 2014) denies that the fictional world he describes in his novels is a world of fantasy. In an article about fantasy and artistic creation in Latin America, he concludes: “Reality is a better writer than… Read More ›
None of Milan Kundera’s novels fits into the traditional concept of the novel. Each is an experimental foray into the unknown, although well prepared and supported by the literary legacy of Jaroslav Hašek, Karel Capek, and Vancura. This is particularly… Read More ›
The “Dickens World,” as Humphrey House calls it, is one of sharp moral contrast, a world in which the selfseeking— imprisoned in their egotism—rub shoulders with the altruistic, freed from the demands of self by concern for others; a world… Read More ›
It was a matter of some pleasure to Samuel Beckett (13 April 1906 – 22 December 1989) that his work resists explication. His most important novels and plays are artfully constructed contemplations on their own form rather than commentaries on… Read More ›
Analysis Simone de Beauvoir’s novels are grounded in her training as a philosopher and in her sociological and feminist concerns. She Came to Stay, The Blood of Others, All Men Are Mortal, and The Mandarins all revolve around the questions… Read More ›
Many critics maintain that the impulse that prompted Miguel de Cervantes (1547 – 1616) to begin his great novel was a satiric one: He desired to satirize chivalric romances. As the elderly Alonso Quixano the Good (if that is his… Read More ›
Jane Austen’s (16 December 1775 – 18 July 1817) novels—her “bits of ivory,” as she modestly and perhaps half-playfully termed them—are unrivaled for their success in combining two sorts of excellence that all too seldom coexist. Meticulously conscious of her artistry… Read More ›
The individualism and richness of Charlotte Brontë’s (21 April 1816 – 31 March 1855) work arise from the multiple ways in which Brontë’s writing is personal: observation and introspection, rational analysis and spontaneous emotion, accurate mimesis and private symbolism. Tension… Read More ›