Author Archives
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Derrida’s Formulation of Ecriture
Derrida’s formulation of “ecriture” emerges from his criticism of the most significant binaries of speech and writing. Discussing these binaries in his essay Signature Event Context (1972), in an attempt to reorient the established hierarchy of speech over wrifing, (what he… Read More ›
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Derrida’s Concept of Differance
A concept introduced by Derrida, differance is a pun on “difference” and “deferment”, and is that attribute of language, by which meaning is generated because of a word’s difference from other words in a signifying system, and at the same… Read More ›
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Derrida’s Notion of the Centre
Decentering in poststructuralism is a consequence of Derrida’s critique of binary oppositions, especially of speech/writing, where he accused Saussure of privileging speech over writing, owing to the presence, and authority of the speaker. Terming it as phonocentrism, which is a… Read More ›
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Derrida’s Critique of Logocentrism
Derrida’s concept of deconstruction displaced structuralism and undertook to decentre or subvert the traditional claims for the existence of all foundations such as knowledge, meaning, truth and the subject. Derrida identifies in all of Western philosophic traditions, a logocentrism or… Read More ›
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Jacques Derrida’s Structure, Sign and Play
Jacques Derrida, A French philosopher, critically engages with structuralism. He comments on what the structure is and engages with the politics of the structure itself, what he terms as the “structurality of structure”. This essay showcases the extent of limits… Read More ›
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Philosophical Influences on Poststructuralism
Unlike structuralism that derived from linguistics, poststructuralism owes its origin to philosophy, which as a discipline, always tends to emphasise the difficulty in achieving complete and secure knowledge about things. This point is encapsulated in Nietzsche’s famous remark: “There are… Read More ›
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Poststructuralism
The second half of the twentieth century, with its torturous experiences of the World Wars, Holocaust and the advent of new technologies, witnessed revolutionary developments in literary theory that were to undermine several of the established notions of Western literary… Read More ›
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Myth Criticism of Northrop Frye
Northrop Frye’s Anatomy of Criticism (1957) introduced the archetypal approach called Myth Criticism, combining the typological interpretation of the Bible and the conception of imagination prevalent in the writings of William Blake. Frye continued the formalist emphasis of New Criticism… Read More ›
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Claude Levi Strauss’ Concept of Bricolage
In The Savage Mind (1962), the French anthropologist Claude Levi-Strauss used the word bricolage to describe the characteristic patterns of mythological thought. Bricolage is the skill of using whatever is at hand and recombining them to create something new. Levi-Strauss… Read More ›
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Claude Levi Strauss’ Structural Anthropology
Applying Saussurean principles to the realm of anthropology, Claude Levi Strauss in his Structuralist Anthropology (1958) analysed cultural phenomena including mythology, kinship and food preparation. Employing the concepts of langue and parole in his search for the fundamental structures of the human… Read More ›
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Semiotics/ Semiology
A highly influential branch of study, Semiotics or the study of signs, can be considered the foundation for literary theory. Many of the revolutionary theories of the twentieth century, such as Structuralism and Poststructuralism, Structural Anthropology (Levi-Strauss), Psychoanalysis (Lacan), Cultural… Read More ›
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Linguistic Sign
Announcing a revolutionary change in the study of language, which had been hitherto philological, Saussure with his Course in General Linguistics (1916), introduced Structural Linguistics, which considers language as a system of signs constructed by cultural conventions. Constituting of a… Read More ›








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