In the second half of the eighteenth century, literary criticism turned away from the predominantly neoclassical thought of a previous generation, shifting from a vision of literature as a standard of civilized taste to one based on individual experience. Social… Read More ›
A question that can be asked of any century’s poetry is whether it owes its character to “forces”—nonliterary developments to which the poets respond more or less sensitively—or whether, on the other hand, the practice of innovative and influential poets… Read More ›
The poetry of the sixteenth century defies facile generalizations. Although the same can obviously be said for the poetry of other periods as well, this elusiveness of categorization is particularly characteristic of the sixteenth century. It is difficult to pinpoint… Read More ›
Paradise Lost is a poetic rewriting of the book of Genesis. It tells the story of the fall of Satan and his compatriots, the creation of man, and, most significantly, of man’s act of disobedience and its consequences: paradise was… Read More ›
Join ONE YEAR Online Coaching for NTA UGC NET JRF English Conducted by Literariness.org BATCH 2 Coaching for December 2020 and June 2021 English NET Exam. Features 📌 No Time Constraints 📌 Printable materials in pdf 📌 Life-time access to the… Read More ›
No poet in memory has ever had quite so spectacular a debut as the young T. S. Eliot when his poem The Love Song of J. Alfred Prufrock was first published in Poetry magazine in 1915, thanks in large part… Read More ›
Nothing could have prepared either the literary world in general or the curious reader who had been following Eliot’s career to date for the publication, in late 1922, of The Waste Land. Published in October of that year in Eliot’s… Read More ›
America became a subject for literature after the Revolutionary War, when writers began the exploration of themes and motifs distinctly American. Continuing the Puritan belief in America as the New Eden, writers stressed the millennial nature of settlement and progress…. Read More ›
CHAPTER 1 OLD ENGLISH LITERATURE The Old English language or Anglo-Saxon is the earliest form of English. The period is a long one and it is generally considered that Old English was spoken from about A.D. 600 to about 1100…. Read More ›
Literary criticism developed in the early eighteenth century as part of a broader cultural discourse that included moral philosophy, politics, aesthetics, science, and economics. For critics otherwise as different as Alexander Pope (1688-1744), Joseph Addison (1672-1719), and Anthony Ashley Cooper,… Read More ›
Karl Marx’s mature writing from A Contribution to the Criticism of Political Economy (1859) through the first edition of Capital (1867) offers to analyze social and economic relations as systems and structures that follow scientific laws. In Marx’s vocabulary, a… Read More ›
Although feminists and socialists have engaged in continuous conversations since the nineteenth century, those crosscurrents within literary theory that might be designated “materialist feminisms” have their origins in the late 1960s with various attempts to synthesize feminist politics with Marxist… Read More ›
“The question of gender is a question of language.” This statement is Barbara Johnson’s (World 37), and her succinct formulation of the relationship between gender and language does much to characterize the approach of a group of feminists who draw… Read More ›
Women’s experience as encountered in female fictional characters, the reactions of women readers, and the careers, techniques, and topics of women writers was the focus of the most accessible feminist criticism in the United States and Britain by the mid-1970s…. Read More ›
Thomas Steams Eliot (1888-1965) has described his criticism as a “by-product” of his “private poetry-workshop” and as “a prolongation of the thinking that went into the formation of my own verse” (On Poetry 117). These devaluations minimize his status as… Read More ›
Discourse theorists take discourse, rather than language, as their domain in part because of difficulties with the latter term. The standard definition of “language” in linguistics (a set of units and the rules for combining them to make well-formed sentences)… Read More ›
For many years, discourse analysis was less an explicit “theory” than a practical and empirical approach for supporting field work on relatively little-recorded languages and cultures (see, e.g., Grimes, Longacre, Malinowski, Pike). One domain of early work that attracted notice… Read More ›
Cultural studies emerged as a distinctive academic discipline in the English-speaking world between the 1960s and the 1990s as part of the broad shift in universities to new kinds of interdisciplinary analysis. Parallel to contemporaneous developments in ethnic studies and… Read More ›
While the field of literary studies from its inception took as its exclusive object of interest the literary canon, cultural studies has generally been concerned with what is left over, popular or mass culture—newspapers, magazines, radio, film, television, popular song,… Read More ›
Postcolonial (cultural) studies (PCS) constitutes a major intervention in the widespread revisionist project that has impacted academia since the 1960s—together with such other counterdiscourses that are gaining academic and disciplinary recognition as cultural studies, women’s studies, Chicano studies, African-American studies,… Read More ›
The Western tradition of literary theory and criticism essentially derives from the Greeks, and there is a sense in which Plato, Aristotle, and Longinus mark out positions and debates that are still being played out today. At a moment when… Read More ›
Historical theory and criticism embraces not only the theory and practice of literary historiographical representation but also other types of criticism that, often without acknowledgment, presuppose a historical ground or adopt historical methods in an ad hoc fashion. Very frequently,… Read More ›
Aristotle‘s Poetics, the first major text of Western drama theory, defined the terms of much subsequent discussion. Unlike such classical Eastern theoretical works on drama as the Sanskrit Natyasastra or Zeami Motokiyo’s writings on Noh, it makes only minor passing… Read More ›
In 1937, John Crowe Ransom claimed that if the fledgling movement “for the erection of intelligent standards of criticism” were to succeed, “the credit would probably belong to Professor Ronald S. Crane, of the University of Chicago, more than to… Read More ›
Desmond MacCarthy’s claim that there “is little in common between the work of Lytton Strachey, Virginia Woolf, Clive Bell, David Garnett, Roger Fry, Maynard Keynes, Leonard Woolf, Vanessa Bell, Duncan Grant, E. M. Forster” (Memories 172) is a useful starting… Read More ›
Thomas De Quincey’s essay On the Knocking at the Gate in Macbeth is one of the best known of his critical works-it appears in most anthologies of criticism and nineteenth-century prose, and is hailed it as “the finest romantic criticism.”… Read More ›
Edward Said‘s publication of Orientalism (1978) made such an impact on thinking about colonial discourse that for two decades it has continued to be the site of controversy, adulation and criticism. Said‘s intervention is designed to illustrate the manner in… Read More ›
The ideas of behaviourism have their roots in the late nineteenth and early twentieth centuries. John B. Watson, an American working in the realm of the new psychology, is widely accepted as one of the earliest proponents of behaviourism. He… Read More ›