Recent Posts - page 2
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Analysis of John Dos Passos’s Novels
Readers of Dos Passos’s unusual novels have attempted to define the writer as a chronicler, a historian, or a critic of twentieth century America. To these titles, Dos Passos added another dimension by calling himself “an architect of history.” Indeed,… Read More ›
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Analysis of J. P. Donleavy’s Novels
In his Journal of Irish Literature interview published in 1979, J. P. Donleavy (23 April 1926 – 11 September 2017) said: “I suppose one has been influenced by people like Joyce. But also possibly—and this is not too apparent in… Read More ›
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Analysis of E. L. Doctorow’s Novels
E. L. Doctorow’s (January 6, 1931 – July 21, 2015) work is concerned with those stories, myths, public figures, and literary and historical forms that have shaped public and political consciousness. Even when his subject is not overtly political—as in… Read More ›
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Analysis of Joan Didion’s Novels
Almost all of Joan Didion’s (1934-) works are concerned with similar themes, and there is an interesting complementary relationship between her essays and her novels. Her essays generally seem intended to force the reader to strip away illusions about contemporary… Read More ›
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Analysis of James Dickey’s Novels
James Dickey’s (1923-1997) novels Deliverance and Alnilam were published seventeen years apart, and the chronological separation parallels the levels of difference in their content and style. Deliverance, written by Dickey when he was in his forties, is more conventional in… Read More ›
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Analysis of Philip K. Dick’s Novels
Philip K. Dick’s novels are, without exception, distinctive in style and theme. Their style may be characterized relatively easily: Dick writes clearly and plainly and is a master of realistic dialogue. He is, however, also a master of the… Read More ›
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Analysis of Don DeLillo’s Novels
What little there is of traditional narrative structure in a Don DeLillo (1936- ) novel appears to serve principally as a vehicle for introspective meanderings, a thin framework for the knotting together of the author’s preoccupations about life and the… Read More ›
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Analysis of Samuel R. Delany’s Novels
The great twentieth century poet T. S. Eliot remarked that a poet’s criticism of other writers often reveals as much or more about that poet’s own work as about that of the writers being discussed. This observation certainly holds true… Read More ›
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Analysis of Robertson Davies’ Novels
At the core of Robertson Davies’ (1913-1995) novels is a sense of humor that reduces pompous institutional values to a refreshing individuality. Interplays of the formal with the specific—officious academia versus lovable satyr-professor, self-important charitable foundation versus reclusive forger-artist, elaborately… Read More ›
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Analysis of Stephen Crane’s Novels
As one of the Impressionist writers—Conrad called him “The Impressionist”— Stephen Crane (1871-1900) was among the first to express in writing a new way of looking at the world. A pivotal movement in the history of ideas, Impressionism grew out… Read More ›
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Analysis of Robert Coover’s Novels
In Robert Coover’s work, humanity is presented not as the center of the universe, the purpose of creation, but, instead, as the center of the fictions it itself creates to explain its existence. Only when people learn the crucial difference… Read More ›
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Analysis of James Fenimore Cooper’s Novels
James Fenimore Cooper (1789 –1851) was a historian of America. His novels span American history, dramatizing central events from Columbus’s discovery (Mercedes of Castile) through the French and Indian Wars and the early settlement (the Leatherstocking Tales) to the Revolution… Read More ›
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Analysis of Kate Chopin’s Novels
When Kate Chopin (1850–1904 began to publish, local-color writing, which came into being after the Civil War and crested during the 1880’s, had already been established. Bret Harte and Mark Twain had created a special ambience for their fiction in the… Read More ›
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Analysis of John Cheever’s Novels
In a literary period that witnessed the exhaustion of literature, wholesale formal experimentation, a general distrust of language, the death of the novel, and the blurring of the lines separating fiction and play, mainstream art and the avantgarde, John Cheever… Read More ›
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Analysis of Raymond Chandler’s Novels
Many people who have never read a single word of Raymond Chandler’s (1888–1959) recognize the name of his fictional hero Philip Marlowe. This recognition results in part from the wide exposure and frequent dilution Chandler’s work has received in media… Read More ›
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Analysis of Willa Cather’s Novels
Willa Cather (1873—1947) was a prolific American novelist noted for her portrayals of the settlers and frontier life on the American plains. She once said in an interview that the Nebraska landscape was “the happiness and the curse” of her… Read More ›
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Analysis of Truman Capote’s Novels
The pattern of Truman Capote’s 1(924 – 1984) career suggests a divided allegiance to two different, even opposing literary forms—objective realism and romance. Capote’s earliest fiction belongs primarily to the imagination of romance. It is intense, wondrously evocative, subjective; in place… Read More ›
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Analysis of George Washington Cable’s Novels
Although George Washington Cable’s (1844 – 1925) reputation rests primarily on one collection of short stories and two pieces of longer fiction, his total output includes twenty-two books. For an understanding of Cable as a writer of fiction, one should… Read More ›
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Analysis of Octavia E. Butler’s Novels
Octavia E. Butler presented a version of humanity as a congenitally flawed species, possibly doomed to destroy itself because it is both intelligent and hierarchical. In this sense, her work does not follow the lead of Isaac Asimov’s Foundation series… Read More ›
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Analysis of William S. Burroughs’s Novels
William S. Burroughs (1914 – 1997) did not begin writing seriously until 1950, although he had unsuccessfully submitted a story titled “Twilight’s Last Gleaming” to Esquire in 1938. His first novelistic effort, Queer, which deals with homosexuality, was not published… Read More ›
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Analysis of Richard Brautigan’s Novels
Short-story writer, novelist, and poet, Richard Brautigan (1935 – 1984) created a stream of works that resist simple categories—in fact, defy categorization altogether. Much of his popularity can be attributed to his peculiar style, his unconventional plots, simple language, and… Read More ›
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Analysis of Pearl S. Buck’s Novels
An overwhelmingly prolific writer, Pearl S. Buck’s (1892-1973) reputation for excellence as a writer of fiction rests primarily on The Good Earth and segments of a few of her other novels of the 1930’s. The appeal of The Good Earth… Read More ›
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Analysis of Marion Zimmer Bradley’s Novels
Marion Zimmer Bradley (June 3, 1930 – September 25, 1999) was one of the most prolific authors to write science fiction, with more than sixty novels to her name and others written under pseudonyms. Though she was nominated for both… Read More ›
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Analysis of Ray Bradbury’s Novels
Although Ray Bradbury (August 22, 1920 – June 5, 2012) became arguably the best-known American science- fiction writer, the majority of his work, which ranges from gothic horror to social criticism, centers on humanistic themes. His best works are powerful… Read More ›
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Analysis of T. C. Boyle’s Novels
T. Coraghessan Boyle’s (1948- ) novels have been praised for their originality, style, and comic energy. At a time when his contemporaries seem obsessed with the mundane details of everyday life—presented in a minimalist style—Boyle approaches fiction as an iconoclastic… Read More ›
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Analysis of Paul Bowles’s Novels
Bowles holds a unique place in American literature. As an exile, he shared with 1920’s expatriate novelist Gertrude Stein, among others, a distanced perspective on his native culture. Through his translations, he earned an international reputation as an author with… Read More ›
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Analysis of Arna Bontemps’s Novels
Arna Bontemps (1902 – 1973) was a prolific author, editor and a noted member of the Harlem Renaissance. He wrote or cowrote many children’s books, biographies, and histories. He edited or coedited more than a dozen works, including African American… Read More ›
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Analysis of Saul Bellow’s Novels
Often described as America’s best contemporary novelist, Saul Bellow (1915 – 2005) earned enormous critical praise and a wide readership as well. He was awarded the Nobel Prize in Literature in 1976. His popularity is somewhat surprising, however, as his… Read More ›
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Analysis of Ann Beattie’s Novels
Hailed by many as the spokesperson for her generation, Ann Beattie (1947 -) won numerous awards for her novels and short stories focusing on vapid, upper-middleclass characters. Although Beattie’s work has often been criticized as pointless and depressing, there is… Read More ›
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Analysis of John Barth’s Novels
Although John Barth’s (1930 – ) novels have ensured his eminence among contemporary American writers, his short fictions have been no less influential or controversial. In addition to his novels, he published a collection of shorter works, Lost in the… Read More ›
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Analysis of Toni Cade Bambara’s Novels
Toni Cade Bambara (1939 – 1995) is best known for her short stories, which appear frequently in anthologies. She has also received recognition as a novelist, essayist, journalist, editor, and screenwriter, as well as a social activist and community leader…. Read More ›
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Literary Criticism of James Baldwin
James Baldwin’s (1924– 1987) public role as a major African American racial spokesman of the 1950’s and 1960’s guarantees his place in American cultural history. Though not undeserved, this reputation more frequently obscures than clarifies the nature of his literary… Read More ›
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Literary Criticism of Louis Auchincloss
For a writer with a full-time professional career, Louis Auchincloss (1917-2010) proved astoundingly prolific, producing nearly one book of fiction or nonfiction each year from the 1950’s into the early twenty-first century. Like that of many highly prolific writers, the… Read More ›
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Literary Criticism of Margaret Atwood
For Atwood, an unabashed Canadian, literature became a means to cultural and personal self-awareness. “To know ourselves,” she writes in Survival, “we must know our own literature; to know ourselves accurately, we need to know it as part of literature… Read More ›
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Literary Criticism of Isaac Asimov
Isaac Asimov was an unusually prolific author with more than five hundred published books in his bibliography, including fiction, autobiographies, edited anthologies of fiction, and nonfiction works ranging in subject from the Bible to science, history, and humor. Asimov was… Read More ›
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Literary Criticism of Sherwood Anderson
Sherwood Anderson (1876 – 1941) was not a greatly gifted novelist; in fact, it might be argued that he was not by nature a novelist at all. He was a brilliant and original writer of tales. His early reputation, which… Read More ›
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Literary Criticism of Rudolfo A. Anaya
Rudolfo A. Anaya’s (1937-) works project a Magical Realism that blends contemporary life with the hidden manifestations of humanity and cultural identity. In his books, the principal characters struggle with the sometimes contradictory notions of Chicano identity tied both to… Read More ›
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Literary Criticism of Louisa May Alcott
Versatility characterizes the canon of Louisa May Alcott (1832-1888), which includes children’s literature, adult novels, gothic thrillers, autobiography, short stories, poetry, and drama. Although Alcott’s works for children may be distinguished from those of other writers of children’s stories in… Read More ›
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Literary Criticism of James Agee
James Agee’s earliest published book, Permit Me Voyage (1934), was a collection of poems, his second a nonfiction account of Alabama sharecroppers during the Great Depression. He and photographer Walker Evans lived with their subjects for eight weeks in 1936… Read More ›
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Fetishism and Commodity Fetishism
Fetishism is the displacement of desire and fantasy onto alternative objects or body parts (e.g., a foot fetish or a shoe fetish), in order to obviate a subject’s confrontation with the castration complex. According to Sigmund Freud, fetishism is connected… Read More ›
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Postmodernism and Popular Culture
Most contributions to the debate on postmodernism agree that whatever else it is or might be, postmodernism has something to do with the development of popular culture in the late twentieth century in the advanced capitalist democracies of the West…. Read More ›
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Postmodernism and Advertisement
The postmodern condition entails the treatment of time and space as finite or tied to the social context of their use. They are, from a postmodern perspective, no longer unproblematic media whose neutrality permits comparison and communications across diverse boundaries…. Read More ›
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Postmodernism and Feminism
[Feminism] should persist in seeing itself as a component or offshoot of Enlightenment modernism, rather than as one more ‘exciting’ feature (or cluster of features) in a postmodern social landscape. (Sabina Lovibond, in T. Docherty, ed., Postmodemism: A Reader (1993).)… Read More ›
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Postmodernism and Architecture
While motoring across the Californian desert, a young woman encounters a young male student engaged in the militant activities of May 1968. He is later shot by the police. Thanks to this encounter, her eyes are opened as to the… Read More ›
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Key Theories of Claude Levi Strauss
Claude Levi Strauss was born into a Belgian Jewish family in 1908. Both his parents were artists, and so while he was learning to read and write, the future anthropologist had a paintbrush or crayon in his hand. Although he… Read More ›
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Christian Metz and Film Theory
Born in 1931 in Beziers in the south of France, Christian Metz died tragically at the end of 1993. Metz opened the way in the 1960s to the establishment of film theory as a new intellectual discipline. Indeed, articles (written… Read More ›
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Key Theories of Roland Barthes
Roland Barthes was born at Cherbourg in 1915. Barely a year later, his father died in naval combat in the North Sea, so that the son was brought up by the mother and, periodically, by his grandparents. Before completing his… Read More ›
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Key Theories of Louis Hjelmslev
The Danish linguist and semiotician, Louis Hjelmslev, was born in 1899 and died on 30 May 1965. Hjelmslev, who founded the Copenhagen Linguistic Circle, attempted to render more rigorous and clear Saussure’s general theory of language and semiotics. In particular, Hjelmslev… Read More ›
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Key Theories of Ferdinand de Saussure
Before 1960, few people in academic circles or outside had heard the name of Ferdinand de Saussure (1857–1913). But after 1968, European intellectual life was a-buzz with references to the father of both linguistics and structuralism. That Saussure was as… Read More ›
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Key Theories of Judith Butler
Judith Butler (b.1956) received a PhD in philosophy from Yale in 1984, with a thesis on Hegelian influences in France. She is the Maxine Elliot professor in the Departments of Rhetoric and Comparative Literature at the University of California at… Read More ›
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Key Theories of Giorgio Agamben
Giorgio Agamben (b.1942) is a philosopher of Italian origin who, since the World Trade Centre attacks in September 2001, has challenged the wide use of emergency measures for people control. Indeed, while en route to give lectures at New York University… Read More ›
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Key Theories of Alain Badiou
Alain Badiou (b. 1937) was born in Rabat, Morocco. With a father an agrégé, like himself, in philosophy, and a mother agre´ge´e in French, Badiou is also a product of the E´ cole Normale Superieure (ENS) (rue d’Ulm). It was… Read More ›
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Key Theories of Jürgen Habermas
Jurgen Habermas (b. 1929) is the most renowned member of the second generation of the Frankfurt School of Social Research. Born in 1929 in Dusseldorf, Habermas wrote his PhD dissertation (published in 1954) on the conflict between the Absolute and… Read More ›
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Key Theories of Maurice Blanchot
In the 1983 edition of the Fontana Dictionary of Modern Thinkers there are entries for Francois Mitterand and Michel Foucault (as well as for Marilyn Monroe), but no entry for Maurice Blanchot (1907–2003), one of France’s foremost post-war writers and… Read More ›
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Key Theories of James Joyce
In his book on Ulysses and Finnegans Wake (Derrida 19871) Jacques Derrida relates how James Joyce (1882–1941) was present in his very first book, the Introduction to Husserl’s Origin of Geometry (1962), and present again in a key essay, Plato’s Pharmacy,… Read More ›
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ANSWER KEY HSST ENGLISH
ANSWER KEY PSC HSST ENGLISH EXAM CONDUCTED ON 28 FEBRUARY 2018. Prepared by Nasrullah Mambrol 1 The sub-title of “Windhover” is A) From Christ our lord B) Submit befer you O! Lord C) To Christ our Lord D) O!… Read More ›
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Key Theories of Marguerite Duras
Marguerite Duras (1914–1996) is one of France’s most important and interesting intellectual figures. She excelled at being a writer, filmmaker and dramatist. After the Second World War she also worked for a number of years as a journalist for France-Observateur…. Read More ›
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Key Theories of Jean Baudrillard
In a society dominated by production, Jean Baudrillard (1929–2007) argues, the difference between use-value and exchange-value has some pertinence. Certainly, for a time, Marx was able to provide a relatively plausible explanation of the growth of capitalism using just these… Read More ›
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Franz Kafka and Postmodernity
The uniqueness of Franz Kafka (1883–1924) stems, in large measure, from the intersection of writing and lived experience. Born into a Jewish family in Prague in 1883, Franz Kafka was the son of a prosperous self-made businessman. Although his parents… Read More ›
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Key Theories of Michel Serres
Michel Serres (b.1930) was born in 1930 at Agen in France, son of a bargeman. In 1949, he went to naval college and subsequently, in 1952, to the E´ cole Normale Supe´rieure (rue d’Ulm). In 1955, he obtained an agre´gation… Read More ›
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Key Theories of Paul Virilio
Paul Virilio (b.1932) is the theorist of the effects of increasing speed in post or late-modernity. Of particular importance for him, in this regard, are information technology and technologies of vision, such as cinema and photography, especially in time of… Read More ›
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Key Theories of Humberto Maturana
Humberto Maturana (b.1928), a neurophysiologist from Chile, was a member of the second wave of cybernetics (1960–85) (Hayles 1999: 131), and has made a name for himself in developing a theory of autopoiesis, or the nature of reflexive feedback control… Read More ›
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Key Theories of Donna Haraway
Donna Haraway (b.1944) has been concerned with deflating the uncritical acceptance of key oppositions, which have political implications, related to the domain of science, particularly to biology: human– animal, animal–machine, mind–body, male–female, fiction–reality, nature–culture, science–society. She is famous, above all,… Read More ›
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Key Theories of Emile Benveniste
Born in Aleppo in 1902, Emile Benveniste was professor of linguistics at the Colle’ge de France from 1937 to 1969, when he was forced to retire due to ill-health, tragically caused by aphasia. He died in 1976. After being educated… Read More ›
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Analysis of Derrida’s Archive Fever
A key reference point for recent analyses of archival technologies is the work of Jacques Derrida, in particular his Archive Fever. This difficult essay – originally a lecture delivered by Derrida in 1994 under the title ‘The Concept of the… Read More ›
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Sylvia Plath: Poetry and Survival
A confessional poet, an extremist poet, a post-romantic poet, a pre-feminist poet, a suicidal poet – all these terms have been used (and are still being used) in attempts to define and explain Sylvia Plath’s writing. Some critics have seen… Read More ›
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Key Theories of Stanley Fish
The Reader-Response Theorist, Stanley Fish (b. 1938), attempts to situate the reading process in a broader, institutional context. Fish’s earlier work, focusing on the reader’s experience of literary texts, included an important study of Milton, Surprised by Sin: The Reader… Read More ›
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Key Theories of Wolfgang Iser
Wolfgang Iser’s (1926-2007) theories of reader response were initially presented in a lecture of 1970 entitled The Affective Structure of the Text, and then in two major works, The Implied Reader (1972) and The Act of Reading (1976). After examining… Read More ›
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Key Theories of Hans Robert Jauss
The phenomenological method of Husserl and the hermeneutics of Heidegger paved the way for what became known as reception theory. One of the foremost figures of reception theory, Hans Robert Jauss (1921-1997), studied at the University of Heidelberg with the… Read More ›
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Key Theories of Martin Heidegger
Husserl’s student Martin Heidegger (1889–1976) proved to be one of the most influential philosophers of the twentieth century, and the major modern exponent of existentialism. His impact extends not only to existentialist philosophers such as Merleau-Ponty, Sartre, and Simone de… Read More ›
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Key Theories of Edmund Husserl
Much reader-response theory had its philosophical origins in the doctrine known as phenomenology, whose foundations were laid by the German philosopher Edmund Husserl (1859–1938). The Greek word phainomenon means “appearance.” Hence, as a philosophical attitude, phenomenology shifts our emphasis of… Read More ›
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The Poetics of Modernism: Ezra Pound and T. S. Eliot
Modernism comprised a broad series of movements in Europe and America that came to fruition roughly between 1910 and 1930. Its major exponents and practitioners included Marcel Proust, James Joyce, Ezra Pound, T. S. Eliot, William Faulkner, Virginia Woolf, Luigi… Read More ›
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Key Theories of Wimsatt and Beardsley
In addition to their other works, the critic Wimsatt (1907–1975) and the philosopher Beardsley (1915–1985) produced two influential and controversial papers that propounded central positions of New Criticism, “The Intentional Fallacy” (1946) and The Affective Fallacy (1949). In the first of… Read More ›
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Key Theories of Mikhail Bakhtin
Mikhail M. Bakhtin (1895–1975) is increasingly being recognized as one of the major literary theorists of the twentieth century. He is perhaps best known for his radical philosophy of language, as well as his theory of the novel, underpinned by… Read More ›
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Marxist Literary Criticism: An Overview
Marx and Engels produced no systematic theory of literature or art. Equally, the subsequent history of Marxist aesthetics has hardly comprised the cumulative unfolding of a coherent perspective. Rather, it has emerged, aptly, as a series of responses to concrete… Read More ›
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Marxist Feminism
From a Marxist perspective, history is dominated by a struggle between social classes that will only end when a truly classless society has been achieved. Given the fact that throughout history women have been collectively denied important rights, it was… Read More ›
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Translation and Gender
The interest of cultural studies in translation inevitably took translation studies away from purely linguistic analysis and brought it into contact with other disciplines. Yet this ‘process of disciplinary hybridization’ (Simon 1996: ix) has not always been straightforward. Sherry Simon,… Read More ›
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World Systems Theory
A theory of the operation of the world economic, social and political system, formulated by Immanuel Wallerstein (1974a; 1974b). The chief assertion of this theory is that the capitalist system has been the world economic system since the sixteenth century… Read More ›
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Postcolonial Translation Theory
In Translation and Gender, Sherry Simon’s focus centres on underlining the importance of the cultural turn in translation. In the conclusion, she insists on how ‘contemporary feminist translation has made gender the site of a consciously transformative project, one which… Read More ›
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Corporeal Feminism
During the 1990s, a group of Australian feminists (e.g., Grosz 1994; Grosz and Probyn 1995; Gatens 1996; Kirby 1997) developed a branch of sexual difference theory known as ‘corporeal feminism.’ Drawing on Irigaray, this group has argued that feminist researchers… Read More ›
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Zoocriticism and the Postcolonial
Throughout western intellectual history, civilisation has consistently been constructed by or against the wild, savage and animalistic, and has consequently been haunted or ‘dogged’ by it. The wild man of the seventeenth and eighteenth centuries lurked at the dangerously liminal… Read More ›
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Realism and Naturalism in Europe and America
Realism was by no means a uniform or coherent movement; a tendency toward realism arose in many parts of Europe and in America, beginning in the 1840s. The major figures included Flaubert and Balzac in France, Fyodor Dostoyevsky and Leo Tolstoy… Read More ›
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The Naturalism of Émile Zola
The novels of the French writer Émile Zola (1840–1902) move toward a more extreme form of realism known as naturalism, taking its name from its allegedly scientific impulse to base its characters, events, and explanations on natural rather than supernatural… Read More ›
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The Realism of Henry James
Though Henry James (1843–1916) was an American novelist, he saw the word “American” as embracing a certain cultural openness, or in his words, a “fusion and synthesis of the various National tendencies of the world.”1 The experience underlying James’ creative… Read More ›
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The Realism of William Dean Howells
Regarded by many as the major American novelist and critic of his age, William Dean Howells (1837–1920) began his career as a printer and journalist. He became sub-editor and then chief editor of the most prestigious journal on the East… Read More ›
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The Realism of George Eliot
One of the most succinct yet poignant statements of realism was made by the major Victorian novelist George Eliot (1819–1880), the latter being the pseudonym of Mary Ann Evans. Her novels include Adam Bede (1859), The Mill on the Floss… Read More ›
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Literary Criticism and Theory in the Twentieth Century
Twentieth-century literary criticism and theory has comprised a broad range of tendencies and movements: a humanistic tradition, descended from nineteenth-century writers such as Matthew Arnold and continued into the twentieth century through figures such as Irving Babbitt and F. R…. Read More ›
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Terry Eagleton and Marxist Literary Theory
Terry Eagleton’s contribution to Marxist cultural theory is broad in its range. While his earlier writing examined in some depth certain Marxist categories of literary-cultural analysis, his later, more popularizing, work has argued persuasively the need for theory. Eagleton has… Read More ›
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The Philosophy of Henri Bergson
Schopenhauer’s thought impinges considerably not only on the thought of Nietzsche but also on Bergson’s philosophy and his theories of art and humor. Notwithstanding his self-dissociation from Schopenhauer,1 Bergson’s philosophy stands in direct line of descent. In fact, his student… Read More ›
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The Philosophy of Arthur Schopenhauer
Arthur Schopenhauer (1788–1860)– who is the most widely read philosopher in Germany today – offered an incisive critique of the bourgeois world: its vision of the present as alone real, its exaltation of a rationality answering merely to pragmatic needs,… Read More ›
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Literary Criticism of Friedrich Schleiermacher
The German philosopher and Protestant theologian Friedrich Schleiermacher (1768–1834) is generally credited with having laid the foundations of modern hermeneutics, or the art of systematic textual interpretation. His most important text in this regard was his Hermeneutics and Criticism, published… Read More ›
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Literary Criticism of Friedrich von Schiller
Friedrich von Schiller (1759–1805) was a poet, dramatist, and literary theorist whose development of Kant’s aesthetic ideas had a great influence on other German Romantic writers and on Coleridge. He was a Romantic in many senses: writing in the aftermath… Read More ›
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Literary Criticism of Edmund Burke
Edmund Burke (1729–1797) is best known for his political writings and his activities as a statesman. In 1765 he became secretary to the marquess of Rockingham, a leader of the Whig or Liberal political party in England. He also served as… Read More ›
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Literary Criticism of John Locke
John Locke’s (1632–1704) philosophy has been enduring and widespread in its influence. He laid the foundations of classical British empiricism, and his thought is often characterized as marked by tolerance, moderation, and common sense. In general, Locke’s affiliations were with… Read More ›
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Literary Criticism of David Hume
The Scottish philosopher David Hume (1711–1776) was one of the major figures of the Enlightenment. Like John Locke and George Berkeley, he was an empiricist, believing that our knowledge derives from experience, and he pushed the empiricism of his predecessors… Read More ›
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Literary Criticism of Giambattista Vico
The Italian philosopher Giambattista Vico (1668–1744) expressed in his writings a historical view of the progress of human thought, language, and culture that anticipates the evolutionary perspectives of Hegel, Marx, and others. His major work was his Scienza Nuova (New… Read More ›
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Literary Criticism of Joseph Addison
Though he was also a poet and dramatist, Joseph Addison (1672–1719) is best known as an essayist, and indeed he contributed much to the development of the essay form, which, like the literary form of the letter, flourished in the… Read More ›
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Black Feminisms
The term ‘Black’ is radically unstable and is applied to various, related political positions. An attempt to trace the meanings that surround and inform this term involves an engagement with its geographical, cultural and political indeterminacies, with its reliance on… Read More ›
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Translation Studies
The 1980s was a decade of consolidation for the fledgling discipline known as Translation Studies. Having emerged onto the world stage in the late 1970s, the subject began to be taken seriously, and was no longer seen as an unscientific… Read More ›
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Literary Criticism of Torquato Tasso
Torquato Tasso (1544–1595) has long enjoyed a reputation as both one of the finest poets of the Renaissance and an influential critic. He is best known for his epic poem Jerusalem Delivered (1581), whose topic was the First Crusade. This… Read More ›
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Literary Theory ›
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UGC NET-JRF English Revised Syllabus 2019
October 14, 2018
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Disability Studies
October 13, 2018
Literary Criticism ›
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9/11 Trauma, Islamophobia, and Amy Waldman’s The Submission
September 13, 2018
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Postmodern Gothic
September 2, 2018