In an age and country that have little room for the traditional man of letters, Gore Vidal has established that role for himself by the force of his writing and intelligence and by his public prominence. He is a classicist… Read More ›
A writer with John Updike’s (March 18, 1932 – January 27, 2009) versatility and range, whose fiction reveals a virtual symphonic richness and complexity, offers readers a variety of keys or themes with which to explore his work. The growing… Read More ›
UNIVERSITY OF CALICUT I SEMESTER B.A. ENGLISH CORE READING POETRY Reading Poetry PDF Reading Poetry DOC
Often, what Robert Penn Warren (1905 – 1989) said about other writers provides an important insight into his own works. This is especially true of Warren’s perceptive essay “The Great Mirage: Conrad and Nostromo” in Selected Essays, in which he… Read More ›
The story of Alice Walker’s childhood scar provides the most basic metaphor of her novels: the idea that radical change is possible even under the worst conditions. Although she was never able to regain the sight in one eye, Walker’s… Read More ›
It is instructive to note that the most pervasive structural characteristic of Mark Twain’s (November 30, 1835 – April 21, 1910) work, of his nonfiction as well as his fiction, is dualistic. That observation is not worth much without detailed… Read More ›
Islamic feminism has been a widely discussed phenomenon since the emergence of the term in 1990s, oftentimes subject to a heated debate. On one hand, this debate is due to the ways in which it is embedded in the wider… Read More ›
The quest would seem to be the one indispensable element in the fiction of Thomas Pynchon, for each of his novels proves to be a modern-dress version of the search for some grail to revive the wasteland. Pynchon’s characters seek… Read More ›
J. D. Salinger’s (January 1, 1919 – January 27, 2010) characters are always extremely sensitive young people who are trapped between two dimensions of the world: love and “squalor.” The central problem in most of his fiction is not finding a… Read More ›
In 1937, Vladeslav Khodasevich, an émigré poet and champion of “V. Sirin’s” work, wrote, “Sirin [Nabokov] proves for the most part to be an artist of form, of the writer’s device, and not only in that . . . sense… Read More ›
In all of her fiction, Toni Morrison (February 18, 1931- August 06, 2019) explored the conflict between society and the individual. She showed how the individual who defies social pressures can forge a self by drawing on the resources of… Read More ›
Harper Lee’s (April 28, 1926 – February 19, 2016) only novel, To Kill a Mockingbird (1960), has gained stature over the years, becoming thought of as more than merely a skillful depiction of small-town southern life during the 1930’s with a… Read More ›
Throughout his career as a fiction writer, William Dean Howells worked against the sentimentality and idealization that pervaded popular American literature in the nineteenth century. He pleaded for characters, situations, behavior, values, settings, and even speech patterns that were true… Read More ›
Beginning in 1970, Rolando Hinojosa (born 1929) published fiction, nonfiction, and poetry, primarily in small Mexican American presses and journals. His major work comprises a series of short novels that he titled The Klail City Death Trip series, after publishing… Read More ›
Oscar Hijuelos (August 24, 1951 – October 12, 2013) represents a new generation of Cuban American writers. His Latino roots enrich his chronicles of the immigrant experience. Latino writers often face quandaries when choosing the language for their literary expression… Read More ›
Critics have generally agreed that John Hersey’s greatest strengths as a novelist derive from two sources: the observational skills he developed as a journalist and his belief in the importance of individual human beings in difficult situations. Reviewers throughout his… Read More ›
At first glance, Joseph Heller’s (May 1, 1923 – December 12, 1999) novels seem quite dissimilar. Heller’s manipulation of time and point of view in Catch-22 is dizzying; it is a hilariously macabre, almost surreal novel. Something Happened, on the… Read More ›
Central to Nathaniel Hawthorne’s romances is his idea of a “neutral territory,” described in the Custom House sketch that precedes The Scarlet Letter as a place “somewhere between the real world and fairy-land, where the Actual and the Imaginary may… Read More ›
Among Frederick Grove’s (February 14, 1879 – September 9, 1948) primary themes, the foremost is the issue of free will. Through his characters, Grove asks how much freedom anyone has in the face of often accidental but usually overwhelming pressures… Read More ›
Grisham writes legal thrillers, a type of novel that has virtually become a genre of its own in recent years. Grisham credits writer Scott F. Turow’s Presumed Innocent (1987) for beginning the trend, but his own novels have served to… Read More ›
Turning away from a romanticized view of her own Virginia, Ellen Glasgow (April 22, 1873 – November 21, 1945) became a part of the revolt against the elegiac tradition of southern letters. Although she rejected romance, she did not turn… Read More ›
Unlike most of their predecessors in the genre, Dashiell Hammett’s detectives live and work, as did Hammett himself, in a world populated with actual criminals who violate the law for tangible personal gain. Significantly, Hammett did all of his creative… Read More ›
John Gardner (1933 –1982) is a difficult writer to classify. He was alternately a realist and a fabulist, a novelist of ideas and a writer who maintained that characters and human situations are always more important than philosophy. He was,… Read More ›
Before it became fashionable, Ernest J. Gaines (January 15, 1933-) was one southern black writer who wrote about his native area. Although he has lived much of his life in California, he has never been able to write adequately about… Read More ›
Critics have placed William Gaddis (December 29, 1922 – December 16, 1998) in the tradition of experimental fiction, linking him closely to James Joyce and comparing him to contemporaries such as Thomas Pynchon. Gaddis himself also indicated the influence of… Read More ›
“The test of a first-rate intelligence,” Fitzgerald remarked during the late 1930’s, “is the ability to hold two opposed ideas in the mind at the same time, and still retain the ability to function.” At his best—in The Great Gatsby,… Read More ›
Ferber was a feminist, a conservationist, a crusader for minorities and immigrants, and a staunch believer in the work ethic and American culture. Strong women characters rising above the limitations of birth and gender dominate her novels; most men in… Read More ›
When William Faulkner (1897-1962) accepted the Nobel Prize in December, 1950, he made a speech that has become a justly famous statement of his perception of the modern world and of his particular place in it. In the address, Faulkner speaks… Read More ›
An understanding of James T. Farrell (February 27, 1904 – August 22, 1979) and his work on the basis of one novel, or even as many as three individual novels, is impossible. Farrell’s vision was panoramic, however limited his subject… Read More ›
In a 1985 essay titled “Where I Ought to Be: A Writer’s Sense of Place,” Louise Erdrich (7 June 1954-) states that the essence of her writing emerges from her attachment to her North Dakota locale. The ways in which… Read More ›
A masterwork of American pluralism, Ellison’s Invisible Man insists on the integrity of individual vocabulary and racial heritage while encouraging a radically democratic acceptance of diverse experiences. Ellison asserts this vision through the voice of an unnamed first-person narrator… Read More ›
Literary historians have shown, by identifying sources and characters, that Theodore Dreiser (1871 – 1945), even in his fiction, was a capable investigative reporter. His reliance on research for setting, character, and plot lines is evident in The Financier and… Read More ›
Readers of Dos Passos’s unusual novels have attempted to define the writer as a chronicler, a historian, or a critic of twentieth century America. To these titles, Dos Passos added another dimension by calling himself “an architect of history.” Indeed,… Read More ›
In his Journal of Irish Literature interview published in 1979, J. P. Donleavy (23 April 1926 – 11 September 2017) said: “I suppose one has been influenced by people like Joyce. But also possibly—and this is not too apparent in… Read More ›
E. L. Doctorow’s (January 6, 1931 – July 21, 2015) work is concerned with those stories, myths, public figures, and literary and historical forms that have shaped public and political consciousness. Even when his subject is not overtly political—as in… Read More ›
Almost all of Joan Didion’s (1934-) works are concerned with similar themes, and there is an interesting complementary relationship between her essays and her novels. Her essays generally seem intended to force the reader to strip away illusions about contemporary… Read More ›
Philip K. Dick’s novels are, without exception, distinctive in style and theme. Their style may be characterized relatively easily: Dick writes clearly and plainly and is a master of realistic dialogue. He is, however, also a master of the… Read More ›
What little there is of traditional narrative structure in a Don DeLillo (1936- ) novel appears to serve principally as a vehicle for introspective meanderings, a thin framework for the knotting together of the author’s preoccupations about life and the… Read More ›
The great twentieth century poet T. S. Eliot remarked that a poet’s criticism of other writers often reveals as much or more about that poet’s own work as about that of the writers being discussed. This observation certainly holds true… Read More ›
At the core of Robertson Davies’ (1913-1995) novels is a sense of humor that reduces pompous institutional values to a refreshing individuality. Interplays of the formal with the specific—officious academia versus lovable satyr-professor, self-important charitable foundation versus reclusive forger-artist, elaborately… Read More ›
As one of the Impressionist writers—Conrad called him “The Impressionist”— Stephen Crane (1871-1900) was among the first to express in writing a new way of looking at the world. A pivotal movement in the history of ideas, Impressionism grew out… Read More ›
In Robert Coover’s work, humanity is presented not as the center of the universe, the purpose of creation, but, instead, as the center of the fictions it itself creates to explain its existence. Only when people learn the crucial difference… Read More ›
James Fenimore Cooper (1789 –1851) was a historian of America. His novels span American history, dramatizing central events from Columbus’s discovery (Mercedes of Castile) through the French and Indian Wars and the early settlement (the Leatherstocking Tales) to the Revolution… Read More ›
When Kate Chopin (1850–1904) began to publish, local-color writing, which came into being after the Civil War and crested during the 1880’s, had already been established. Bret Harte and Mark Twain had created a special ambience for their fiction in… Read More ›
In a literary period that witnessed the exhaustion of literature, wholesale formal experimentation, a general distrust of language, the death of the novel, and the blurring of the lines separating fiction and play, mainstream art and the avantgarde, John Cheever… Read More ›
Many people who have never read a single word of Raymond Chandler’s (1888–1959) recognize the name of his fictional hero Philip Marlowe. This recognition results in part from the wide exposure and frequent dilution Chandler’s work has received in media… Read More ›
Willa Cather (1873—1947) was a prolific American novelist noted for her portrayals of the settlers and frontier life on the American plains. She once said in an interview that the Nebraska landscape was “the happiness and the curse” of her… Read More ›
The pattern of Truman Capote’s 1(924 – 1984) career suggests a divided allegiance to two different, even opposing literary forms—objective realism and romance. Capote’s earliest fiction belongs primarily to the imagination of romance. It is intense, wondrously evocative, subjective; in place… Read More ›
Although George Washington Cable’s (1844 – 1925) reputation rests primarily on one collection of short stories and two pieces of longer fiction, his total output includes twenty-two books. For an understanding of Cable as a writer of fiction, one should… Read More ›
Octavia E. Butler presented a version of humanity as a congenitally flawed species, possibly doomed to destroy itself because it is both intelligent and hierarchical. In this sense, her work does not follow the lead of Isaac Asimov’s Foundation series… Read More ›
Short-story writer, novelist, and poet, Richard Brautigan (1935 – 1984) created a stream of works that resist simple categories—in fact, defy categorization altogether. Much of his popularity can be attributed to his peculiar style, his unconventional plots, simple language, and… Read More ›
An overwhelmingly prolific writer, Pearl S. Buck’s (1892-1973) reputation for excellence as a writer of fiction rests primarily on The Good Earth and segments of a few of her other novels of the 1930’s. The appeal of The Good Earth… Read More ›
Marion Zimmer Bradley (June 3, 1930 – September 25, 1999) was one of the most prolific authors to write science fiction, with more than sixty novels to her name and others written under pseudonyms. Though she was nominated for both… Read More ›
Although Ray Bradbury (August 22, 1920 – June 5, 2012) became arguably the best-known American science- fiction writer, the majority of his work, which ranges from gothic horror to social criticism, centers on humanistic themes. His best works are powerful… Read More ›
T. Coraghessan Boyle’s (1948- ) novels have been praised for their originality, style, and comic energy. At a time when his contemporaries seem obsessed with the mundane details of everyday life—presented in a minimalist style—Boyle approaches fiction as an iconoclastic… Read More ›
Bowles holds a unique place in American literature. As an exile, he shared with 1920’s expatriate novelist Gertrude Stein, among others, a distanced perspective on his native culture. Through his translations, he earned an international reputation as an author with… Read More ›
Arna Bontemps (1902 – 1973) was a prolific author, editor and a noted member of the Harlem Renaissance. He wrote or cowrote many children’s books, biographies, and histories. He edited or coedited more than a dozen works, including African American… Read More ›
Often described as America’s best contemporary novelist, Saul Bellow (1915 – 2005) earned enormous critical praise and a wide readership as well. He was awarded the Nobel Prize in Literature in 1976. His popularity is somewhat surprising, however, as his… Read More ›
Hailed by many as the spokesperson for her generation, Ann Beattie (1947 -) won numerous awards for her novels and short stories focusing on vapid, upper-middleclass characters. Although Beattie’s work has often been criticized as pointless and depressing, there is… Read More ›
Although John Barth’s (1930 – ) novels have ensured his eminence among contemporary American writers, his short fictions have been no less influential or controversial. In addition to his novels, he published a collection of shorter works, Lost in the… Read More ›
Toni Cade Bambara (1939 – 1995) is best known for her short stories, which appear frequently in anthologies. She has also received recognition as a novelist, essayist, journalist, editor, and screenwriter, as well as a social activist and community leader…. Read More ›
James Baldwin’s (1924– 1987) public role as a major African American racial spokesman of the 1950’s and 1960’s guarantees his place in American cultural history. Though not undeserved, this reputation more frequently obscures than clarifies the nature of his literary… Read More ›
For a writer with a full-time professional career, Louis Auchincloss (1917-2010) proved astoundingly prolific, producing nearly one book of fiction or nonfiction each year from the 1950’s into the early twenty-first century. Like that of many highly prolific writers, the… Read More ›
For Atwood, an unabashed Canadian, literature became a means to cultural and personal self-awareness. “To know ourselves,” she writes in Survival, “we must know our own literature; to know ourselves accurately, we need to know it as part of literature… Read More ›
Isaac Asimov was an unusually prolific author with more than five hundred published books in his bibliography, including fiction, autobiographies, edited anthologies of fiction, and nonfiction works ranging in subject from the Bible to science, history, and humor. Asimov was… Read More ›
Sherwood Anderson (1876 – 1941) was not a greatly gifted novelist; in fact, it might be argued that he was not by nature a novelist at all. He was a brilliant and original writer of tales. His early reputation, which… Read More ›
Rudolfo A. Anaya’s (1937-) works project a Magical Realism that blends contemporary life with the hidden manifestations of humanity and cultural identity. In his books, the principal characters struggle with the sometimes contradictory notions of Chicano identity tied both to… Read More ›
Versatility characterizes the canon of Louisa May Alcott (1832-1888), which includes children’s literature, adult novels, gothic thrillers, autobiography, short stories, poetry, and drama. Although Alcott’s works for children may be distinguished from those of other writers of children’s stories in… Read More ›
James Agee’s earliest published book, Permit Me Voyage (1934), was a collection of poems, his second a nonfiction account of Alabama sharecroppers during the Great Depression. He and photographer Walker Evans lived with their subjects for eight weeks in 1936… Read More ›
Fetishism is the displacement of desire and fantasy onto alternative objects or body parts (e.g., a foot fetish or a shoe fetish), in order to obviate a subject’s confrontation with the castration complex. According to Sigmund Freud, fetishism is connected… Read More ›
Most contributions to the debate on postmodernism agree that whatever else it is or might be, postmodernism has something to do with the development of popular culture in the late twentieth century in the advanced capitalist democracies of the West…. Read More ›
[Feminism] should persist in seeing itself as a component or offshoot of Enlightenment modernism, rather than as one more ‘exciting’ feature (or cluster of features) in a postmodern social landscape. (Sabina Lovibond, in T. Docherty, ed., Postmodemism: A Reader (1993).)… Read More ›
While motoring across the Californian desert, a young woman encounters a young male student engaged in the militant activities of May 1968. He is later shot by the police. Thanks to this encounter, her eyes are opened as to the… Read More ›
Claude Levi Strauss was born into a Belgian Jewish family in 1908. Both his parents were artists, and so while he was learning to read and write, the future anthropologist had a paintbrush or crayon in his hand. Although he… Read More ›
Born in 1931 in Beziers in the south of France, Christian Metz died tragically at the end of 1993. Metz opened the way in the 1960s to the establishment of film theory as a new intellectual discipline. Indeed, articles (written… Read More ›
Roland Barthes was born at Cherbourg in 1915. Barely a year later, his father died in naval combat in the North Sea, so that the son was brought up by the mother and, periodically, by his grandparents. Before completing his… Read More ›
The Danish linguist and semiotician, Louis Hjelmslev, was born in 1899 and died on 30 May 1965. Hjelmslev, who founded the Copenhagen Linguistic Circle, attempted to render more rigorous and clear Saussure’s general theory of language and semiotics. In particular, Hjelmslev… Read More ›
Before 1960, few people in academic circles or outside had heard the name of Ferdinand de Saussure (1857–1913). But after 1968, European intellectual life was a-buzz with references to the father of both linguistics and structuralism. That Saussure was as… Read More ›
Judith Butler (b.1956) received a PhD in philosophy from Yale in 1984, with a thesis on Hegelian influences in France. She is the Maxine Elliot professor in the Departments of Rhetoric and Comparative Literature at the University of California at… Read More ›
Alain Badiou (b. 1937) was born in Rabat, Morocco. With a father an agrégé, like himself, in philosophy, and a mother agre´ge´e in French, Badiou is also a product of the E´ cole Normale Superieure (ENS) (rue d’Ulm). It was… Read More ›
Jurgen Habermas (b. 1929) is the most renowned member of the second generation of the Frankfurt School of Social Research. Born in 1929 in Dusseldorf, Habermas wrote his PhD dissertation (published in 1954) on the conflict between the Absolute and… Read More ›
In the 1983 edition of the Fontana Dictionary of Modern Thinkers there are entries for Francois Mitterand and Michel Foucault (as well as for Marilyn Monroe), but no entry for Maurice Blanchot (1907–2003), one of France’s foremost post-war writers and… Read More ›
In his book on Ulysses and Finnegans Wake (Derrida 19871) Jacques Derrida relates how James Joyce (1882–1941) was present in his very first book, the Introduction to Husserl’s Origin of Geometry (1962), and present again in a key essay, Plato’s Pharmacy,… Read More ›
Marguerite Duras (1914–1996) is one of France’s most important and interesting intellectual figures. She excelled at being a writer, filmmaker and dramatist. After the Second World War she also worked for a number of years as a journalist for France-Observateur…. Read More ›
In a society dominated by production, Jean Baudrillard (1929–2007) argues, the difference between use-value and exchange-value has some pertinence. Certainly, for a time, Marx was able to provide a relatively plausible explanation of the growth of capitalism using just these… Read More ›
The uniqueness of Franz Kafka (1883–1924) stems, in large measure, from the intersection of writing and lived experience. Born into a Jewish family in Prague in 1883, Franz Kafka was the son of a prosperous self-made businessman. Although his parents… Read More ›
Michel Serres (b.1930) was born in 1930 at Agen in France, son of a bargeman. In 1949, he went to naval college and subsequently, in 1952, to the E´ cole Normale Supe´rieure (rue d’Ulm). In 1955, he obtained an agre´gation… Read More ›
Paul Virilio (b.1932) is the theorist of the effects of increasing speed in post or late-modernity. Of particular importance for him, in this regard, are information technology and technologies of vision, such as cinema and photography, especially in time of… Read More ›
Humberto Maturana (b.1928), a neurophysiologist from Chile, was a member of the second wave of cybernetics (1960–85) (Hayles 1999: 131), and has made a name for himself in developing a theory of autopoiesis, or the nature of reflexive feedback control… Read More ›
Donna Haraway (b.1944) has been concerned with deflating the uncritical acceptance of key oppositions, which have political implications, related to the domain of science, particularly to biology: human– animal, animal–machine, mind–body, male–female, fiction–reality, nature–culture, science–society. She is famous, above all,… Read More ›
Born in Aleppo in 1902, Emile Benveniste was professor of linguistics at the Colle’ge de France from 1937 to 1969, when he was forced to retire due to ill-health, tragically caused by aphasia. He died in 1976. After being educated… Read More ›
A key reference point for recent analyses of archival technologies is the work of Jacques Derrida, in particular his Archive Fever. This difficult essay – originally a lecture delivered by Derrida in 1994 under the title ‘The Concept of the… Read More ›
A confessional poet, an extremist poet, a post-romantic poet, a pre-feminist poet, a suicidal poet – all these terms have been used (and are still being used) in attempts to define and explain Sylvia Plath’s writing. Some critics have seen… Read More ›
The Reader-Response Theorist, Stanley Fish (b. 1938), attempts to situate the reading process in a broader, institutional context. Fish’s earlier work, focusing on the reader’s experience of literary texts, included an important study of Milton, Surprised by Sin: The Reader… Read More ›
Wolfgang Iser’s (1926-2007) theories of reader response were initially presented in a lecture of 1970 entitled The Affective Structure of the Text, and then in two major works, The Implied Reader (1972) and The Act of Reading (1976). After examining… Read More ›
The phenomenological method of Husserl and the hermeneutics of Heidegger paved the way for what became known as reception theory. One of the foremost figures of reception theory, Hans Robert Jauss (1921-1997), studied at the University of Heidelberg with the… Read More ›
Husserl’s student Martin Heidegger (1889–1976) proved to be one of the most influential philosophers of the twentieth century, and the major modern exponent of existentialism. His impact extends not only to existentialist philosophers such as Merleau-Ponty, Sartre, and Simone de… Read More ›
Much reader-response theory had its philosophical origins in the doctrine known as phenomenology, whose foundations were laid by the German philosopher Edmund Husserl (1859–1938). The Greek word phainomenon means “appearance.” Hence, as a philosophical attitude, phenomenology shifts our emphasis of… Read More ›
Modernism comprised a broad series of movements in Europe and America that came to fruition roughly between 1910 and 1930. Its major exponents and practitioners included Marcel Proust, James Joyce, Ezra Pound, T. S. Eliot, William Faulkner, Virginia Woolf, Luigi… Read More ›
In addition to their other works, the critic Wimsatt (1907–1975) and the philosopher Beardsley (1915–1985) produced two influential and controversial papers that propounded central positions of New Criticism, “The Intentional Fallacy” (1946) and The Affective Fallacy (1949). In the first of… Read More ›