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Literary Criticism

Postmodern Gothic

The play of fear and laughter has been inscribed in Gothic texts since their inception, an ambivalence that disturbs critical categories that evaluate their seriousness or triviality. The uncertainty perpetuates Gothic anxieties at the level of narrative and generic form,… Read More ›

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Vampire Narrative

The play between mythological and modern significance, between mystical and scientific visions of horror and unity, sexuality and sacred violence, is focused in the figure of the vampire. In Mary Braddon’s ‘Good Lady Ducayne’ (1896) the vampire theme signals the… Read More ›

Critical Race Theory

The critical race theory (CRT) movement is a collection of activists and scholars engaged in studying and transforming the relationship among race, racism, and power. The movement considers many of the same issues that conventional civil rights and ethnic studies… Read More ›

Popular Culture

Popular culture has become segmented into a myriad of forms, genres, audiences, tones, styles and purposes, so much so that it cannot meaningfully be talked about as a monolith. While some so-called ‘popular culture’ is produced en masse (and has… Read More ›

Queer Culture

The term ‘queer’ has often puzzled outsiders.Why call yourself that? This too has its story. For a long time ‘queer’was, of course, a derogatory term for male homosexuals. That began to change when it began to be widely used in… Read More ›

Feminist Science Studies

Feminist Science Studies emerged in the mid-1980s as a response to the masculinist paradigms of participation and epistemology in the natural sciences. A survey of initial efforts in the area reveals a schism between the women-in-science movement and feminist critiques… Read More ›

Performance Studies

Performance Studies is a new academic discipline, developed largely out of university departments of drama or of theatre studies, and driven mostly in USA, especially by Richard Schechner (b. 1934). Schechner was something of a polymath: theatre director with his… Read More ›

Shakespeare and Post-Modernism

Shakespeare need not be abandoned by the postmodern world.Indeed; the postmodern world does and continues to embrace his works wholeheartedly. Hugh Grady rightly observes “we are now witnessing the emergence of a postmodernist Shakespeare through the development of critical paradigms… Read More ›

Analysis of Robertson Davies’ Novels

At the core of Robertson Davies’ (1913-1995) novels is a sense of humor that reduces pompous institutional values to a refreshing individuality. Interplays of the formal with the specific—officious academia versus lovable satyr-professor, self-important charitable foundation versus reclusive forger-artist, elaborately… Read More ›

Analysis of Truman Capote’s Novels

The pattern of Truman Capote’s 1(924 – 1984) career suggests a divided allegiance to two different, even opposing literary forms—objective realism and romance. Capote’s earliest fiction belongs primarily to the imagination of romance. It is intense, wondrously evocative, subjective; in place… Read More ›

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