A label often applied to the last half of the 18th century, the Age of Johnson takes its name from Samuel Johnson, lexicographer, critic, scholar, poet, and novelist most well known for his DICTIONARY OF THE ENGLISH LANGUAGE (1755). With… Read More ›
Literary Criticism
Analysis of James Morier’s The Adventures of Hajji Baba of Ispahan
James Morier based his satire of Persian life on firsthand knowledge of the culture. Born in Smyrna (later Izmir), Turkey, Morier acted as attaché to two diplomats to Iran, Sir Harford Jones and Sir Gore Ouseley, from 1807 to 1814…. Read More ›
Analysis of Sarah Fielding’s David Simple
Sarah Fielding described David Simple as a “moral romance.” The episodic novel took a timely approach to the romance genre, moving away from the traditional chivalric tales to a story based on codes of middle-class ideology. Modern critics note that… Read More ›
Biographical and Autobiographical Narratives
Biographical narratives typically have been constructed according to a standard format, a chronicle from cradle to grave. In contrast, autobiographical narratives have been less formulaic or more experimental, taking multiple forms. The earliest biographies were intended to glorify the lives… Read More ›
Analysis of Grace Paley’s Samuel
In Grace Paley’s “Samuel,” which appears in the author’s second story collection, Enormous Changes at the Last Minute (1974), issues of racism and motherhood emerge as prominent themes. This story, which mostly takes place on a subway in Paley’s favored… Read More ›
Analysis of Edith Wharton’s Roman Fever
Since its publication in her collection of short stories The World Over (1936), Edith Wharton’s “Roman Fever” has been frequently anthologized. Masterfully constructed with multiple narrative voices and in a satirical tone, “Roman Fever” is the culmination of a lifetime… Read More ›
Analysis of Stephen Crane’s The Red Badge of Courage
The Red Badge of Courage, the Novella long considered Stephen Crane’s Civil War masterpiece, is subtitled An Episode of the American Civil War. Although celebrated both for the realism of its style and for the authenticity of its battle scenes,… Read More ›
Analysis of William Shakespeare’s Hamlet
With Shakespeare the dramatic resolution conveys us, beyond the man-made sphere of poetic justice, toward the ever-receding horizons of cosmic irony. This is peculiarly the case with Hamlet, for the same reasons that it excites such intensive empathy from actors… Read More ›
Analysis of John Milton’s Paradise Lost
Paradise Lost is a poetic rewriting of the book of Genesis. It tells the story of the fall of Satan and his compatriots, the creation of man, and, most significantly, of man’s act of disobedience and its consequences: paradise was… Read More ›
Imagism in Poetry
Imagism is a term associated with an eclectic group of English and American poets working between 1912 and 1917, among them some of the most important writers in English of the first half of the 20th century: Ezra Pound, Amy… Read More ›
San Francisco Renaissance
In the two decades following World War II, an overarching reevaluation of art and its purpose occurred. This reconsideration gave rise to a number of identifiable movements and schools worldwide in the same period; even though those movements had some… Read More ›
The Objectivist Poets
The term objectivist was coined by Louis Zukofsky in 1930 for “‘Objectivists’ 1931,” a special issue of Poetry for which he served as guest editor. Of the many poets included in that issue and in its follow-up anthology, An “Objectivists”… Read More ›
The New York School of Poetry
The New York school of poetry was an innovative group of poets made up principally by Frank O’Hara, John Ashbery, Barbara Guest, James Schuyler, and Kenneth Koch. Their poetry was experimental, philosophical, staunchly antiestablishment, and antiacademic. The group began writing… Read More ›
The Language Poets
The writers who emerged in the 1970s and have been identified variously as “Language poets,” “L=A=N=G=U=A=G=E poets” and “so-called Language poets” generally conceive of themselves less as a movement or school than as a loosely knit community of writers who,… Read More ›
Black Mountain School of Poetry
What came to be known as the Black Mountain school of poetry represented, in mid-20th-century America, the crossroads of poetic innovation. The name of this poetic movement derives from Black Mountain College in North Carolina, an experimental college founded in… Read More ›
Deep Image Poetry
Deep image poetry was part of the post–World War II, New American poetry inspired by the Beats and the Black Mountain School. The “deep” of deep image refers not to some attempt at political or philosophical “profundity” but to the… Read More ›
Fugitive/Agrarian School of Poetry
The Fugitives, a group of poets from Nashville, Tennessee, led the vanguard for modernist verse in the South in the 1920s. In contrast to the Imagist movement centered in England, the Fugitives emphasized traditional poetic forms and techniques, and their… Read More ›
Harlem Renaissance
Between 1919 and 1934 African-American artists flocked to New York City, specifically to Harlem. This era was to become one of the most prolific periods of African-American writing. What Alain Locke called in 1925 a “New Negro Movement” was later… Read More ›
An Introduction to the Black Arts Movement
The Black Arts movement was a controversial literary faction that emerged in the mid-1960s as the artistic and aesthetic arm of the Black Power movement, a militant political operation that rejected the integrationist purposes and practices of the Civil Rights… Read More ›
Analysis of Andrew Marvell’s The Garden
Andrew Marwell’s The Garden (1681) remains a favorite among critics of poetry by Andrew Marwell. Although he most probably wrote it during retirement between 1650 and 1652, some critics have argued convincingly it may have been produced earlier in his… Read More ›
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