The publication of Chronicle of a Death Foretold broke Gabriel Garcıa Marquez’s (1927-2014) self-imposed “publication strike.” (He had pledged to not publish anything for as long as Chilean dictator Augusto Pinochet remained in power.) Garcıa Marquez’s period of silence started… Read More ›
Carlos R. Rodr ́ıguez, a friend of Garcıa Marquez (1927-2014) and well-known literary critic, wrote that if One Hundred Years of Solitude had not secured the road to Stockholm for Garcıa Marquez to receive the Nobel Prize in literature, Love in… Read More ›
Gabriel Garcıa Marquez’s (1927-2014) One Hundred Years of Solitude was first published on May 30, 1967, in Buenos Aires, Argentina. The cover of the first edition, which was never repeated, depicted the silhouette of a galleon floating amid trees against a… Read More ›
Jane Hamilton (born July 13, 1957) achieved early success with the publication of her first novel. In 1989, The Book of Ruth received the Great Lakes College Association New Writers Award, the Banta Award, and the Hemingway Foundation/PEN Award for… Read More ›
The most obvious testimony to Shirley Ann Grau’s (July 8, 1929 – August 3, 2020) success is the Pulitzer Prize for fiction that she received in 1965 for The Keepers of the House. Significantly enough, the same novel appeared in condensed… Read More ›
Ivan Goncharov’s (1812-1891) novels mark the transition from Russian Romanticism to a much more realistic worldview. They appeared at a time when sociological criteria dominated analysis and when authors were expected to address the injustices of Russian life. The critic… Read More ›
Each of José Donoso’s (5 October 1924 – 7 December 1996) novels had its special success, and the writer’s prestige grew with each stage of his career. Despite a slow beginning (he came to the novel at age thirty three),… Read More ›
Twentieth century art in many areas is indebted to Jean Cocteau (5 July 1889 – 11 October 1963). His accomplishments span the artistic and literary activities of his times, the diversity unified by his vision of all art as facets… Read More ›
Hermann Broch must surely be counted among such other major German novelists of the twentieth century as Franz Kafka, Mann, Robert Musil, Heinrich Böll, and Günter Grass, alongside such other creative artists as Wassily Kandinsky, Gustav Klimt, Oskar Kokoschka, Gustav… Read More ›
Considered by many the greatest Russian novel of the 20th century, Boris Pasternak’s (1890-1960) Doctor Zhivago is certainly the most famous fictional treatment of the defining moments of modern Russian history at the outset of the 20th century, inviting a… Read More ›
A Bend in the River is V. S. Naipaul’s (17 August 1932 – 11 August 2018) masterwork of displacement and dispossession, a summary statement from a distinguished writing career documenting what John Updike has called “one of the contemporary world’s… Read More ›
The Czech writer Milan Kundera in his collection of critical essays The Art of the Novel (1988) offers a definition of the novel as “a meditation on existence as seen through the medium of imaginary characters,” while providing “my personal… Read More ›
Giovanni Papini (1881-1956) argued that Italians are less suited temperamentally to writing novels than to writing poetry, essays, and biographies. Certainly, the art of storytelling has long been esteemed in Italy; Baldassare Castiglione, in Il cortegiano (1528; The Book of… Read More ›
To a greater extent than any other literary form, the novel is consistently and directly engaged with the society in which the writer lives and feels compelled to explain, extol, or criticize. The English novel, from its disparate origins to… Read More ›
In surveying some six centuries of the Chinese novel, from the first major accomplishment, Sanguo yanyi (fourteenth century; The Romance of the Three Kingdoms, 1925), to the novels of the twenty-first century, some important distinctions must be observed. First, a… Read More ›
An understanding of Raja Rao’s (8 November 1908 – 8 July 2006) art is enhanced by a contextualization of his novels. Although Rao admitted to several Western influences, his work is best understood as a part of the Indian tradition…. Read More ›
The leaders of the Irish Literary Revival were born of the Anglo-Irish aristocracy. Very few were Catholics, and none was from the urban middle class, except James Joyce. The emphasis of the Revival in its early stages on legendary or… Read More ›
Irish literature falls into two distinct categories. Written in the Irish language, the first category includes bardic poems and Celtic sagas. The second category, Irish literature written in English, includes what is often called Anglo-Irish literature because it was created… Read More ›
How early was the earliest novel? Critics attempt to establish a beginning for the form in order to make the analytical task manageable. Because the novel, as generally defined, holds many elements in common with drama, epic, folktale, fable, satire,… Read More ›
America became a subject for literature after the Revolutionary War, when writers began the exploration of themes and motifs distinctly American. Continuing the Puritan belief in America as the New Eden, writers stressed the millennial nature of settlement and progress…. Read More ›
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