A discussion of postcolonial literature must first acknowledge the scope and complexity of the term “postcolonial.” Temporally, the term designates any national literature written after the nation gained independence from a colonizing power. According to this definition, all literature written… Read More ›
Feminist long fiction features female characters whose quest for self-agency leads to conflict with a traditionally masculinist and patriarchal society. These novels have been harshly criticized and dismissed—and even ridiculed—for their nontraditional female characters. Feminist ideology in the Western world… Read More ›
Literature is forever transforming. A new literary age is new precisely because its important writers do things differently from their predecessors. Thus, it could be said that almost all significant literature is in some sense innovative or experimental at its… Read More ›
In the feverish political climate of the 1930s and 1940s outlined in the introductory section, American critics with left-wing sympathies tubarned James’s disavowal of any direct purpose for the novel against him. They approved of writers such as Theodore Dreiser… Read More ›
The novel has struggled to be taken seriously as an art form. The very title of James’s essay begins his campaign on its behalf: ‘art’ and ‘fiction’, often seen at odds with each other, are placed side by side here…. Read More ›
Some of Mailer’s earliest writing, including “The Greatest Thing in the World,” a prizewinner in a 1941 Story magazine contest, reveals that even at a very early age he could write accomplished, imitative apprentice fiction in the modes of Ernest… Read More ›
Larry McMurtry’s (1936 -) best fiction has used the Southwest as its location and the characters typical of that area for its subjects. In the early years of his career, he dealt with life in the dying towns and decaying… Read More ›
Hugh MacLennan (1907-1990) began as a historian, and, in a sense, he remained one throughout his long writing career. His doctoral dissertation, Oxyrhynchus, discussing the history of an area in Egypt during the seven hundred years that it was subject… Read More ›
Thomas McGuane’s (born December 11, 1939) fictional universe is a “man’s world.” His protagonists appear to do whatever they do for sport and to escape ordinary reality. They seek a world where they can, without restraint, be whomever they choose… Read More ›
Ross Macdonald’s (1915–1983) twenty-four novels fall fairly neatly into three groups: Those in which Lew Archer does not appear form a distinct group, and the Archer series itself, which may be separated into two periods. His first four books, The… Read More ›
Carson McCullers’s (February 19, 1917 – September 29, 1967) fiction has a childlike directness, a disconcerting exposure of unconscious impulses in conjunction with realistic detail. She is like the candid child who announces that the emperor in his new clothes… Read More ›
Mary McCarthy’s (June 21, 1912 – October 25, 1989) novels often feature herself, with an assumed name, as protagonist; she also exploited her husbands and other people close to her for fictional purposes. Her characters generally have a superior education… Read More ›
Jack London’s (January 12, 1876 – November 22, 1916) fame as a writer came about largely through his ability to realistically interpret humanity’s struggle in a hostile environment. Early in his career, London realized that he had no talent for… Read More ›
Early reviews praised or condemned Sinclair Lewis (February 7, 1885 – January 10, 1951) for a blend of realism and optimism; indeed, a curious mixture of almost naturalistic realism and a kind of romance characterized Lewis’s fiction throughout his career…. Read More ›
Elmore Leonard’s (October 11, 1925 – August 20, 2013) early short stories and novels were conventional in terms of plot and characterization; however, writing Westerns was good training. Knowing nothing about the West, he learned to depend on research that… Read More ›
When Ursula K. Le Guin (October 21, 1929 – January 22, 2018) has Genly Ai state in The Left Hand of Darkness that “truth is a matter of the imagination,” she is indirectly summarizing the essential focus of her fiction:… Read More ›
The themes and techniques of Jerzy Kosinski’s (1933-1991) fiction are adumbrated in the sociological studies he published within five years of his arrival in the United States. As a highly regarded Polish sociology student in the mid-1950’s, Kosinski was granted… Read More ›
The major emphasis of Margaret Laurence’s (1926- 1987) fiction changed considerably between her early and later works. In a 1969 article in Canadian Literature, “Ten Years’ Sentences,” she notes that after she had grown out of her obsession with the… Read More ›
Barbara Kingsolver’s (born. April 8, 1955) long fiction is best characterized as contemporary versions of the Bildungsroman with a feminist twist. The main character ventures forth to develop herself and find her place in her community. Many books by women… Read More ›
Stephen King (born. September 21, 1947) may be known as a horror writer, but he calls himself a “brand name,” describing his style as “the literary equivalent of a Big Mac and a large fries from McDonald’s.” His fast-food version… Read More ›
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