Dylan Thomas’s ten stories in Portrait of the Artist as a Young Dog are charming reminiscences of his relatives, school friends, and neighbors in the town where he grew up. Their wit and accessibility made them immediately popular, in contrast… Read More ›
R. K. Narayan (10 October 1906 – 13 May 2001) said that he found English the most rewarding medium to employ for his writing because it came to him very easily: “English is a very adaptable language. And it’s so… Read More ›
Muriel Spark (1 February 1918 – 13 April 2006) was an adept storyteller with a narrative voice that was often distant or aloof. Her tales are psychologically interesting because Spark was reluctant to reveal all that her characters think and… Read More ›
Isaac Bashevis Singer (November 11, 1903 – July 24, 1991) relished the short story; he believed that it offered, much more than the novel, the possibility of perfection. His stories, however, seldom reveal signs of a painstaking artisan conscious of… Read More ›
The brilliant satirist of the mind and manners of an upper-crust Great Britain that World War I would obliterate, Saki (18 December 1870 – 14 November 1916) operates within a rich national tradition that stretches from the towering figure of… Read More ›
One of Margaret Atwood’s (born November 18, 1939) central themes is storytelling itself, and most of her fiction relates to that theme in some way. The short-story collections each focus on key issues. Dancing Girls is primarily concerned with otherness,… Read More ›
Jorge Luis Borges (1899 – 1986) may be, quite simply, the single most important writer of short fiction in the history of Latino literature. The stories he published in his collections Ficciones, 1935-1944 and El Aleph, particularly the former, not… Read More ›
Alice Munro (born 10 July 1931) is first and foremost a writer of short fiction. However, the line between long and short fiction is sometimes blurred in her writings. She has published one book that is generally classified as a… Read More ›
During his life, Edgar Allan Poe (1809 – 1849) was a figure of controversy and so became reasonably well known in literary circles. Two of his works were recognized with prizes: Manuscript Found in a Bottle and The Gold-Bug. The Raven, his most… Read More ›
In his lifetime, Anton Chekhov (29 January 1860 – 15 July 1904) gained considerable critical acclaim. In 1888, he won the Pushkin Prize for his fiction, and in 1900, he was selected to honorary membership in the Russian Academy of Sciences for both… Read More ›
Arthur Conan Doyle’s (22 May 1859 – 7 July 1930) epitaph “STEEL TRUE/BLADE STRAIGHT” can also serve as an introduction to the themes of his novels, both those that feature actual medieval settings and those that center on Sherlock Holmes…. Read More ›
Agatha Christie’s (15 September 1890 – 12 January 1976) trademarks in detective fiction brought to maturity the classical tradition of the genre, which was in its adolescence when she began to write. The tradition had some stable characteristics, but she… Read More ›
Ballard (15 November 1930 – 19 April 2009) is one of a handful of writers who, after establishing early reputations as science-fiction writers, subsequently achieved a kind of “transcendence” of their genre origins to be accepted by a wider public…. Read More ›
Almost from the beginning of his career, Kingsley Amis (16 April 1922 – 22 October 1995) enjoyed the attention of numerous commentators. Because his works have been filled with innovations, surprises, and variations in techniques and themes, it is not… Read More ›
From the appearance of her first novel in 1915, Virginia Woolf’s work was received with respect—an important point, since she was extremely sensitive to criticism. Descendant of a distinguished literary family, member of the avant-garde Bloomsbury Group, herself an experienced… Read More ›
Anthony Trollope (24 April 1815 – 6 December 1882) was acknowledged during his lifetime as a prominent though not necessarily a weighty or enduring writer. He wished to entertain and he did so, at least until the late 1860’s when… Read More ›
J. R. R. Tolkien’s (3 January 1892 – 2 September 1973) fiction dismayed most of his fellow scholars at the University of Oxford as much as it delighted most of his general readers. Such reactions sprang from their recognition of… Read More ›
Long remembered as a social satirist par excellence, William Makepeace Thackeray (18 July 1811 – 24 December 1863) wrote more in the manner of Henry Fielding than of Samuel Richardson and more in the realistic vein than in the style… Read More ›
Shelley’s literary reputation rests solely on her first novel, Frankenstein. Her six other novels, which are of uneven quality, are very difficult indeed to find, even in the largest libraries. Nevertheless, Mary Shelley lays claim to a dazzling array of… Read More ›
Perhaps Richardson’s (19 August 1689 – 4 July 1761) most important contribution to the development of the novel was his concern for the nonexceptional problems of daily conduct, the relationships between men and women, and the specific class-and-caste distinctions of… Read More ›
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