In his third and most popular novel, Nightmare Abbey, Thomas Love Peacock supplied a parody of contemporary literature and authors that greatly resembled in format his previous satires, Headlong Hall (1816) and Melincourt (1817). All three contain little by way… Read More ›
William Godwin
Analysis of Thomas Holcroft’s Hugh Trevor
The first three volumes of Thomas Holcroft’s Hugh Trevor appeared in 1794. In October of that year, before he could add the final three volumes to his novel, Holcroft went to Newgate Prison on a charge of high treason due… Read More ›
Analysis of Thomas Love Peacock’s Headlong Hall
Thomas Love Peacock published his first novel, Headlong Hall, anonymously, reflecting in it his dislike of progress and all of its “new-fangled” ideas. In what would become a regular approach for Peacock, Headlong Hall presents a satiric discussion in Platonic… Read More ›
Analysis of Edward Bulwer-Lytton’s Eugene Aram
An example of Newgate fiction, in which writers based novels on true criminal accounts, Edward Bulwer-Lytton’s Eugene Aram established him as the most popular novelist of England during the same year Sir Walter Scott, to whom Bulwer-Lytton dedicated the book’s… Read More ›
Analysis of Amelia Opie’s Adeline Mowbray
When Amelia Opie (1769-1853), the most popular novelist of her day, decided to write Adeline Mowbray, based loosely on the tumultuous public relationship of her acquaintances William Godwin and Mary Wollstonecraft, she signaled readers with her subtitle that the female… Read More ›
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