The Gift is the final and most important Russian novel (English translation, 1963) by Vladimir Nabokov (1899–1977). The semi-autobiographical story of a young Russian émigré writer living in Berlin in the 1920s, The Gift was first serialized in the Paris… Read More ›
Vladimir Nabokov
Analysis of Vladimir Nabokov’s The Defense
Vladimir Nabokov (1899–1977) wrote The Defense, his third novel, in Berlin in 1929 and published it serially under the penname Sirin in the Paris-based Russian journal Sovremennye zapiski (Notes from the fatherland). The novel was first published in Russian in… Read More ›
Analysis of Vladimir Nabokov’s Stories
Vladimir Nabokov’s (born April 22, 1899 — July 2, 1977) early stories are set in the post-czarist, post-World War I era, with Germany the usual location, and sensitive, exiled Russian men the usual protagonists. Many are nascent artists: wistful, sorrowful,… Read More ›
Postmodern Novels and Novelists
Iconoclastic and irreverent, the postmodern novel is by definition a radical experiment that emerges when a writer feels the customary tropes of fiction have been exhausted. For the postmodernist, the well-worn genre of the novel is insufficient and no longer… Read More ›
Self-Reflexive Novels and Novelists
After a few minutes of reading stories that are not selfreflexive, readers sometimes forget what they are doing and feel transported into the world of the book. Considering this experience naïve, authors of self-reflexive fictions thwart it by such devices… Read More ›
Experimental Novels and Novelists
Literature is forever transforming. A new literary age is new precisely because its important writers do things differently from their predecessors. Thus, it could be said that almost all significant literature is in some sense innovative or experimental at its… Read More ›
Analysis of Vladimir Nabokov’s Novels
In 1937, Vladeslav Khodasevich, an émigré poet and champion of “V. Sirin’s” work, wrote, “Sirin [Nabokov] proves for the most part to be an artist of form, of the writer’s device, and not only in that . . . sense… Read More ›
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