Generally known for her fantasy, science fiction, and young-adult fiction, Ursula K. Le Guin insists that her writing is not bound by genre definitions. The Professor’s Houses was first published in the New Yorker (1982), included in The Best American… Read More ›
Ursula K. Le Guin’s short story “The Ones Who Walk Away from Omelas,” which was first published in 1973, then collected in The Wind’s Twelve Quarters (1975), has appeared since then in multiple anthologies. The story is an allegory about… Read More ›
The emergence of the “modern” novel in the eighteenth century, with its emphasis on narrative realism and its intimate involvement with the affairs of everyday life, is correlated with a gradual separation between mundane and imaginative fiction, a crucial breaking… Read More ›
Homosexuality, traditionally regarded as a disease or perversion by church, state, and society, was rigorously denounced and condemned by those same institutions. In the case of the arts and literature, works featuring homoeroticism or gays and lesbians as characters were… Read More ›
When Ursula K. Le Guin (October 21, 1929 – January 22, 2018) has Genly Ai state in The Left Hand of Darkness that “truth is a matter of the imagination,” she is indirectly summarizing the essential focus of her fiction:… Read More ›