Foucault’s Pendulum is the second novel by the highly prolific Italian writer Umberto Eco (1932–2016), and continues the pattern of linguistic games and narrative proliferation established in The Name of the Rose. This time the focus is more contemporary, with… Read More ›
The fourth novel by the prolific Italian novelist Umberto Eco (1932–2016) charts the adventurous life of the eponymous hero, a medieval adventurer and consummate liar with a gift for making the most of chance. The book opens with Baudolino rescuing… Read More ›
Iconoclastic and irreverent, the postmodern novel is by definition a radical experiment that emerges when a writer feels the customary tropes of fiction have been exhausted. For the postmodernist, the well-worn genre of the novel is insufficient and no longer… Read More ›
Deconstruction emerged out of a tradition of French philosophical thought strongly influenced by the phenomenological projects of Edmund Husserl and Martin Heidegger. The main concern of phenomenology is consciousness and essence. For Husserl, consciousness entailed an intention towards the essence… Read More ›
Paranoia, or the threat of total engulfment by somebody else’s system, is keenly felt by many of the dramatis personae of postmodernist fiction. It is tempting to speculate that this is an indirect mimetic representation of the climate of fear… Read More ›
Eco proceeds from the Peircean assumption of “unlimited semiosis.” Though unlimited semiosis indicates that signs always refer to other signs (and that a text is open to infinite interpretations), Eco seeks a middle ground between univocal meaning and infinite meanings. For… Read More ›
Postmodern literature’s celebratory mode of experimentation found new impetus with the usage of parody and pastiche. While a parody imitates the manner, style or characteristics of a particular literary work/ genre/ author, and deflates the original by applying the imitation… Read More ›
A term originally coined by Linda Hutcheon, in A Poetics of Postmodernism, historiographic metafiction includes those postmodern works, usually popular novels, which are “both intensely self-reflexive and paradoxically lay claim to historical events and personages”. This is categorically a postmodern… Read More ›
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