After a few minutes of reading stories that are not selfreflexive, readers sometimes forget what they are doing and feel transported into the world of the book. Considering this experience naïve, authors of self-reflexive fictions thwart it by such devices… Read More ›
Literature is forever transforming. A new literary age is new precisely because its important writers do things differently from their predecessors. Thus, it could be said that almost all significant literature is in some sense innovative or experimental at its… Read More ›
In his book on Ulysses and Finnegans Wake (Derrida 19871) Jacques Derrida relates how James Joyce (1882–1941) was present in his very first book, the Introduction to Husserl’s Origin of Geometry (1962), and present again in a key essay, Plato’s Pharmacy,… Read More ›
In 1844, Elizabeth Barrett Browning wanted to write “a poem of a new class,” one that included “[conversations & events” and “philosophical dreaming & digression.”1 She also wanted to purify George Gordon Byron‘s sexually contentious poetry, to write “a Don Juan,… Read More ›
Freued’s theory of Oedipus Complex is best demonstrated in his analysis of Shakespeare’s Hamlet. Oedipus complex is the strong affinity that the child develops for his mother in its intense urge to possess the mother, wishes to kill the father…. Read More ›
In an age that was wrought with scientism, technology and loss of spirituality, many of the major modernist writers realised and asserted the employment of integrative mythology in order to give “shape and significance” to the contemporary fragmented reality. The… Read More ›
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