Thomas Pynchon’s early short story “Entropy” heralds many of the thematic concerns and stylistic features that were to make his novels The Crying of Lot 49, V., and Gravity’s Rainbow central to the canon of American Postmodernism. Most notable of… Read More ›
The term “fantasy” refers to all works of fiction that attempt neither the realism of the realistic novel nor the “conditional realism” of science fiction. Among modern critics, the primacy of the realistic novel is taken for granted. Realistic novels… Read More ›
Iconoclastic and irreverent, the postmodern novel is by definition a radical experiment that emerges when a writer feels the customary tropes of fiction have been exhausted. For the postmodernist, the well-worn genre of the novel is insufficient and no longer… Read More ›
Claude E. Shannon’s publication of A Mathematical Theory of Communication in the Bell System Technical Journal of July and October 1948 marks the beginning of information theory and can be considered “the Magna Carta of the information age” (Verdú 1998:… Read More ›
Paranoia, or the threat of total engulfment by somebody else’s system, is keenly felt by many of the dramatis personae of postmodernist fiction. It is tempting to speculate that this is an indirect mimetic representation of the climate of fear… Read More ›
Postmodern literature’s celebratory mode of experimentation found new impetus with the usage of parody and pastiche. While a parody imitates the manner, style or characteristics of a particular literary work/ genre/ author, and deflates the original by applying the imitation… Read More ›
A term originally coined by Linda Hutcheon, in A Poetics of Postmodernism, historiographic metafiction includes those postmodern works, usually popular novels, which are “both intensely self-reflexive and paradoxically lay claim to historical events and personages”. This is categorically a postmodern… Read More ›
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