D. H. Lawrence wrote the first version of “The Fox” in December 1918. This version of the story was a straightforward tale about two women, whose lesbian partnership is implicit. Jill Banford is diffident and timid, whereas the more physical… Read More ›
Theoretical approaches to the cinematic representation of lesbianism represent a particularly complex and fruitful area of feminist film study, as well as one filled with substantial debate. Issues arise, for instance, concerning the exact definition of a lesbian film as… Read More ›
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