University of Calicut V Semester B.A. English Core Paper Methodology of Literature (EN5B03) Methodology of Literature PDF (To Download the Material Click on the Above Link) Topics Covered Russian Formalism, New Criticism, Archetypal Criticism, Myth Criticism, Deconstruction, Poststructuralism, Reader Response… Read More ›
Modern Narrative Theory begins with Russian Formalism in the 1920s, specifically with the work of Roman Jakobson, Yury Tynyanov, and Viktor Shklovsky. Tynyanov combined his skills as a historical novelist with Formalism to produce, with Jakobson, Theses on Language (1928),… Read More ›
Louis Althusser combined Marxism with the scientifically oriented methods of Structuralism in his essay, Ideology and the Ideological State Apparatuses (1970) and analysed how the dominant systems enforce their control by subtly moulding their subjects through ideology. Ideology has been… Read More ›
The work of Roman Jakobson occupies a central place in the development of Formalism and Structuralism. A linguist from Moscow, Jakobson co-founded the Moscow Linguistic Circle in 1915, and along:with Viktor Shklovsky and Boris Eichenbaum, he was involved in yet… Read More ›
The New Critical notion of the autotelic text as self-contained and independent of the author, genre or historical context, was associated with Arnold’s insistence on objectivity and Eliot’s on impersonality. Such a text that contains meaning within itself is humanist… Read More ›
New Critics attempted to systematize the study of literature, and develop an approach that was centred on the rigorous study of the text itself. Thus it was distinctively formalist in character, focusing on the textual aspects of the text such as rhythm, metre, imagery and metaphor, by the method of close reading, as against reading that on the basis of external evidences such as the history, author’s biography or the socio-political/cultural conditions of the text’s production. Although the New Critics were against Coleridge’s Impressionistic Criticism, they seem to have inherited his concept of the poem as a unified organic whole which reconciles its internal conflicts and achieves a fine balance.