Sigmund Freud’s theories of the personality and the unconscious mind received international attention in his lifetime as psychoanalysis became an accepted method of treating emotional disorders. Freud’s ideas rather quickly became the basis of an approach to literary criticism that… Read More ›
psychoanalytic criticism
Lewis Carroll’s Through the Looking-Glass and What Alice Found There
Lewis Carroll wrote the sequel to Alice’s Adventures in Wonderland (1865) and continued to alter forever children’s literature by omitting any moralizing from Through the Looking-Glass and What Alice Found There, just as he had in the original Alice book…. Read More ›
Analysis of Henry Rider Haggard’s She: A History of Adventure
Like Henry Rider Haggard’s other romance novels set in Africa, including King Solomon’s Mines (1885) and Allan Quatermain (1887), She: A History of Adventure is based in part on Haggard’s experience in that country. As assistant to Sir Henry Bulwer,… Read More ›
Analysis of Laurence Sterne’s A Sentimental Journey
Published only a few weeks before Laurence Sterne’s death, A Sentimental Journey Through France and Italy by Mr. Yorick featured a parson character made famous in Sterne’s first novel, The Life and Opinions of Tristram Shandy, the title later shortened… Read More ›
Analysis of Sir Walter Scott’s Redgauntlet
Sir Walter Scott has long been acknowledged as the first writer of historical fiction, and when he chose Scotland as a setting, he generally produced his best work. He introduced this approach in his first novel, Waverley (1814), when he… Read More ›
Analysis of James Hogg’s Private Memoirs and Confessions of a Justified Sinner
Private Memoirs and Confessions of a Justified Sinner, long acknowledged as the best of the many works by James Hogg (1770–1835), focuses on the religious and political conflict in Scotland at the end of the 18th century. The first portion,… Read More ›
Analysis of M. G. Lewis’s The Monk
Following Anne Radcliffe in creating fiction of the Gothic genre, M. G. Lewis published his sensation fiction, The Monk, for a public eager to indulge in entertainment highly dependent on horror elements. Unlike Radcliffe’s more sophisticated The Mysteries of Udolpho… Read More ›
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