Torn Apart (Déchirures), Joyce Mansour’s second volume of poetry, is a collection of 117 numbered poems that together appear to undertake an exploration of what the poet sees beyond the fabric of religious belief when that fabric is subjected to… Read More ›
One of du Bouchet’s most challenging palimpsests of synesthetic theory and praxis, his book-length poem Peinture (1983) at once discusses and inhabits creative processes of unwriting and unpainting. Examining fluid thresholds between “painting,” disappearance, and the open, the text performs… Read More ›