Phenomenology is a philosophy of experience. For phenomenology the ultimate source of all meaning and value is the lived experience of human beings. All philosophical systems, scientific theories, or aesthetic judgments have the status of abstractions from the ebb and… Read More ›
Phenomenology
Key Theories of Hans Robert Jauss
The phenomenological method of Husserl and the hermeneutics of Heidegger paved the way for what became known as reception theory. One of the foremost figures of reception theory, Hans Robert Jauss (1921-1997), studied at the University of Heidelberg with the… Read More ›
Key Theories of Edmund Husserl
Much reader-response theory had its philosophical origins in the doctrine known as phenomenology, whose foundations were laid by the German philosopher Edmund Husserl (1859–1938). The Greek word phainomenon means “appearance.” Hence, as a philosophical attitude, phenomenology shifts our emphasis of… Read More ›
Phenomenology: A Brief Note
Phenomenology refers to a cluster of approaches to philosophical and sociological enquiry and to the study of art, deriving from the work of the German philosopher Edmund Husserl (1859–1938). The diversity of approaches that have been described as phenomenology, not… Read More ›
Key Theories of Jean-Paul Sartre
French philosopher, novelist and playwright, who was in many respects the model of a politically engaged intellectual, Jean-Paul Sartre (1905-1980) was offered, but refused, the Nobel Prize for Literature in 1964 . An indication of the esteem in which he was… Read More ›
Key Theories of Maurice Merleau-Ponty
French philosopher and psychologist, who developed an approach to phenomenology that centred upon the embodied nature of human existence, Merleau-Ponty’s (1907-1961) work encompasses psychology (1963) and the attempt to articulate a humanist Marxism (1964a, 1973a) as well as the philosophies… Read More ›
Maurice Merleau-Ponty’s Phenomenological Approach to Films
Maurice Merleau-Ponty wrote only one essay on film, yet his phenomenological approach informs problems of perception central to film. Taken up by some theorists as a welcome counterbalance to Marxist and psychoanalytic theories that tend to consider the film as… Read More ›
Reader Response Criticism: An Essay
Reader Response, primarily a German and American offshoot of literary theory, emerged (prominent since 1960s) in the West mainly as a reaction to the textual emphasis of New Criticism of the 1940s. New Criticism, the culmination of liberal humanist ideals,… Read More ›
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