Written and published on October 4, 1821, “Adonais” memorializes the death of Shelley’s friend and fellow poet John Keats, whom he regarded as being one of the poets of “the highest genius” of the age. Keats died in Rome on… Read More ›
PB Shelley
Analysis of Shelley’s To a Skylark
To a Skylark Hail to thee, blithe Spirit! Bird thou never wert, That from Heaven, or near it, Pourest thy full heart In profuse strains of unpremeditated art. Higher still and higher From the earth thou springest Like a cloud… Read More ›
Analysis of Shelley’s Ode to the West Wind
Ode to the West Wind I O wild West Wind, thou breath of Autumn’s being, Thou, from whose unseen presence the leaves dead Are driven, like ghosts from an enchanter fleeing, Yellow, and black, and pale, and hectic red, Pestilence-stricken… Read More ›
Romanticism in England
In England, the ground for Romanticism was prepared in the latter half of the eighteenth century through the economic, political, and cultural transformations mentioned in the preceding chapters. The system of absolute government crumbled even earlier in Britain than elsewhere;… Read More ›
Experimental Form in Victorian Poetry
In 1844, Elizabeth Barrett Browning wanted to write “a poem of a new class,” one that included “[conversations & events” and “philosophical dreaming & digression.”1 She also wanted to purify George Gordon Byron‘s sexually contentious poetry, to write “a Don Juan,… Read More ›
Symbolist Movement in Poetry
A term specifically applied to the work of late 19th century French writers who reacted against the descriptive precision and objectivity of realism and the scientific determinism of naturalism, Symbolism was first used in this sense by Jean Moreas in… Read More ›
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