The play of fear and laughter has been inscribed in Gothic texts since their inception, an ambivalence that disturbs critical categories that evaluate their seriousness or triviality. The uncertainty perpetuates Gothic anxieties at the level of narrative and generic form,… Read More ›
Shakespeare need not be abandoned by the postmodern world.Indeed; the postmodern world does and continues to embrace his works wholeheartedly. Hugh Grady rightly observes “we are now witnessing the emergence of a postmodernist Shakespeare through the development of critical paradigms… Read More ›
In his novels, Kurt Vonnegut (1922 – 2007) coaxes the reader toward greater sympathy for humanity and deeper understanding of the human condition. His genre is satire—sometimes biting, sometimes tender, always funny. His arena is as expansive as the whole universe… Read More ›
John Hawkes once divulged that when he began to write he assumed that “the true enemies of the novel were plot, character, setting and theme”. Certainly many subsequent authors have done their best to sledgehammer these four literary cornerstones into… Read More ›
Postmodern literature’s celebratory mode of experimentation found new impetus with the usage of parody and pastiche. While a parody imitates the manner, style or characteristics of a particular literary work/ genre/ author, and deflates the original by applying the imitation… Read More ›
A term originally coined by Linda Hutcheon, in A Poetics of Postmodernism, historiographic metafiction includes those postmodern works, usually popular novels, which are “both intensely self-reflexive and paradoxically lay claim to historical events and personages”. This is categorically a postmodern… Read More ›
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