Like Henry Rider Haggard’s other romance novels set in Africa, including King Solomon’s Mines (1885) and Allan Quatermain (1887), She: A History of Adventure is based in part on Haggard’s experience in that country. As assistant to Sir Henry Bulwer,… Read More ›
New Historicism
Analysis of Sir Walter Scott’s Rob Roy
A Robin Hood figure, the factual individual named Rob Roy, formed the basis for Sir Walter Scott’s historical fiction Rob Roy. The real Rob Roy (literally “Red Robert,” for his red hair) was a drover who became an outlaw, leading… Read More ›
Analysis of Sir Walter Scott’s Redgauntlet
Sir Walter Scott has long been acknowledged as the first writer of historical fiction, and when he chose Scotland as a setting, he generally produced his best work. He introduced this approach in his first novel, Waverley (1814), when he… Read More ›
Analysis of Sir Walter Scott’s Quentin Durward
Sir Walter Scott’s Quentin Durward was one of three novels Scott issued in 1823. The first edition was printed in 10,000 copies, the sheets carried in bales by steamship to London on May 16, 1823, where binders worked the night… Read More ›
Analysis of Anthony Trollope’s Phineas Redux
Anthony Trollope published the fourth entry in his Palliser series, Phineas Redux, first as a serial in The Graphic between July 1873 and January 1874. It appeared seven years after its predecessor, Phineas Finn, which introduced the adventurous protagonist named… Read More ›
Analysis of Frederick Marryat’s Mr. Midshipman Easy
Captain Frederick Marryat’s Mr. Midshipman Easy proved extremely popular. Informed by Marryat’s own naval experience, all his work allowed a gifted writer the opportunity to shape realistic adventure tales in which he expressed himself in a vigorous style undergirded by… Read More ›
Analysis of Sir Walter Scott’s Kenilworth
In his novel Kenilworth, Sir Walter Scott tells his romanticized version of the death of Amy Robsart, wife to Robert Dudley, the Earl of Leicester, favored by Queen Elizabeth I. Set in 1560, the novel seeks to, as Scott writes… Read More ›
Analysis of George Eliot’s Daniel Deronda
The last of George Eliot’s seven novels, published in eight parts between February and September 1876, Daniel Deronda has a double structure that follows two protagonists, Daniel Deronda and Gwendolyn Harleth, in their intertwined search for self-fulfillment. Eliot breaks new… Read More ›
Analysis of Henry Rider Haggard’s Allan Quatermain
Henry Rider Haggard wrote Allan Quatermain as a sequel to his popular first novel, King Solomon’s Mines (1885). An instant best-seller, it appeared as a serial in Longman’s Magazine between January and August of 1887. As a young fan, Winston… Read More ›
New Historicism
In 1982 Stephen Greenblatt edited a special issue of Genre on Renaissance writing, and in his introduction to this volume he claimed that the articles he had solicited were engaged in a joint enterprise, namely, an effort to rethink the… Read More ›
Critical Analysis of Ernest J. Gaines’s The Autobiography of Miss Jane Pittman
Inspired by the strong, determined character of his Aunt Augustine Jefferson, to whom the novel is dedicated, The Autobiography of Miss Jane Pittman draws on the tradition of the slave narrative and its creative branch, the fictional autobiography. Slave narratives… Read More ›
University of Calicut Methodology of Literature Study Material
University of Calicut V Semester B.A. English Core Paper Methodology of Literature (EN5B03) Methodology of Literature PDF (To Download the Material Click on the Above Link) Topics Covered Russian Formalism, New Criticism, Archetypal Criticism, Myth Criticism, Deconstruction, Poststructuralism, Reader Response… Read More ›
Historical Representations in Indian English Novels
When white light hits glass one of two things can happen. Either you have an image, which is faithful if somewhat unexciting, or you have a glorious spectrum which though beautiful is rather a distortion. Light from the past passes… Read More ›
Stephen Greenblatt and New Historicism
While he was teaching at the University of California, Berkeley, Greenblatt helped to found a journal called Representations, in which some of the earlier important New Historicist criticism appeared. However, it was his introduction to The Power of Forms in… Read More ›
New Historicism and Cultural Materialism
A term coined by Raymond Williams and popularised by Jonathan Dollimore and Alan Sinfield (in their collection of essays Political Shakespeare), Cultural Materialism refers to a Marxist orientation of New Historicism, characterised by the analysis of any historical material within… Read More ›
Foucault’s Influence on New Historicism
The anti-establishment ethos of New Historicism wasprofoundly influenced by Foucault‘s theories of Power/Knowledge and Discourse. Foucault observed that the discourse of an era brings into being concepts, oppositions and hierarchies, which are products and propagators of power, and these determine… Read More ›
New Historicism’s Deviation from Old Historicism
New Historicism envisages and practises a mode of study where the literary text and the non-literary cotext are given “equal weighting”, whereas old historicism considers history as a “background” of facts to the “foreground” of literature. While Old historicism follows… Read More ›
New Historicism: A Brief Note
A critical approach developed in the 1980s in the writings of Stephen Greenblatt, New Historicism is characterised by a parallel reading of a text with its socio-cultural and historical conditions, which form the co-text. New Historians rejected the fundamental tenets… Read More ›
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