This poem (1927), the first of Eliot’s contributions to the Ariel series, is, along with “A Song for Simeon,” certainly far easier to place within the immediate context of the Christmas season that inspires it than his later contributions might… Read More ›
Eliot first published the essay Hamlet and His Problems in Athenaeum on September 26, 1919, and subsequently the piece was collected in The Sacred Wood in 1920. SYNOPSIS In the essay, Eliot was ostensibly reviewing two recent books on William… Read More ›
Originally published in Eliot’s own literary review, the Criterion, and later collected in Selected Essays in 1932, “The Function of Criticism,” along with “The Frontiers of Criticism” (1956) and “To Criticize the Critic” (1961), provides a cogent commentary on what… Read More ›
At the end of October 1943, in the midst of the terrible violence, destruction, and slaughter of World War II, Faber & Faber, Eliot’s publisher since the mid-1920s, released Four Quartets. A relatively slim volume of poetry, it nevertheless brought… Read More ›
There is perhaps no poem of T. S. Eliot’s that is as deceptively complex as “Ash-Wednesday.” Like many of Eliot’s other works from the period following the publication of The Waste Land in late 1922 and the renown that it… Read More ›
Nothing could have prepared either the literary world in general or the curious reader who had been following Eliot’s career to date for the publication, in late 1922, of The Waste Land. Published in October of that year in Eliot’s… Read More ›
Katherine Mansfield’s (14 October 1888 – 9 January 1923) themes are not hard to discover. In 1918, she set herself the tasks of communicating the exhilarating delicacy and peacefulness of the world’s beauty and also of crying out against “corruption.”… Read More ›
Bertolt Brecht’s (10 February 1898 – 14 August 1956) early dramas are anarchic, nihilistic, and antibourgeois. In them, he glorifies antisocial outsiders such as adventurers, pirates, and prostitutes; the tone of these works is often cynical. In the years after… Read More ›
One way to understand the modern novel is to show its development in the work of writers such as Joseph Conrad, Marcel Proust, James Joyce, Virginia Woolf, Franz Kafka, and William Faulkner. This list is by no means exclusive, but… Read More ›
Modernism comprised a broad series of movements in Europe and America that came to fruition roughly between 1910 and 1930. Its major exponents and practitioners included Marcel Proust, James Joyce, Ezra Pound, T. S. Eliot, William Faulkner, Virginia Woolf, Luigi… Read More ›
1 In The Owl, written in February 1915, three months before he enlisted, Edward Thomas characteristically sets himself on the open road: walking at night feeling hungry, cold and tired. When he enters an inn, though, the exterior world is… Read More ›
Postmodernism broadly refers to a socio-cultural and literary theory, and a shift in perspective that has manifested in a variety of disciplines including the social sciences, art, architecture, literature, fashion, communications, and technology. It is generally agreed that the postmodern… Read More ›
TS Eliot‘s The Waste Land, which has come to be identified as the representative poem of the Modernist canon, indicates the pervasive sense of disillusionment about the current state of affairs in the modern society, especially post World War Europe,… Read More ›
The dates of Modernism are disputable, it can be rightly claimed that nascent Modernism budded with the Avant-Garde (a military metaphor, meaning ‘advance guard’) which refers to a small, self-conscious group of artists and authors who deliberately undertook, in Ezra… Read More ›
“On or about December 1910 human nature changed.” – Virginia Woolf wrote in her essay Mr Bennett and Mrs. Brown in 1924. “All human relations shifted,” Woolf continued, “and when human relations change there is at the same time a change… Read More ›
Modernism was the first literary movement to take urban life as a given, as a form of experience that was categorically different from any other kind of life. Baudelaire was fascinated by the “flaneur”, the man who strolls the city… Read More ›
In an age that was wrought with scientism, technology and loss of spirituality, many of the major modernist writers realised and asserted the employment of integrative mythology in order to give “shape and significance” to the contemporary fragmented reality. The… Read More ›
New Criticism and Modernism emerged out of a world that was perceived as fragmented, with the Enlightenment ideals of rationality, progress and justice discredited; the artist alienated from the social and political world, and art and literature marginalised. The vast… Read More ›
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