A question that can be asked of any century’s poetry is whether it owes its character to “forces”—nonliterary developments to which the poets respond more or less sensitively—or whether, on the other hand, the practice of innovative and influential poets… Read More ›
Scholars of the works of John Donne continue the search for various elements in his poetry to aid in the dating of their creation and even in the ways to refer to the poems. As Donne did not title his… Read More ›
The Good Morrow was first published in John Donne’s posthumous collection Songs and Sonnets (1633) and ranks among his best known love poems. Critics have developed various theories regarding the poem’s symbolism, many relating to the Platonic theory of love…. Read More ›
John Donne enforced a tight structure on his song Go and Catch a Falling Star (1630), with three stanzas each containing sestets with a rhyme scheme of ababcc and concluding with a rhyming triplet. That controlled format contrasts with the… Read More ›
Most critics agree that John Donne wrote The Flea during his youth, before becoming an ordained minister. It was first published as part of Songs and Sonnets in a posthumous collection that appeared in 1630, 1635, 1650, and 1669. As… Read More ›
While discussion continues over the order in which John Donne wrote the individual poems that compose his Holy Sonnets, the critic Helen Gardner has argued convincingly that Death Be Not Proud was published in 1633. Structured as a variant of… Read More ›
George Herbert wrote five “Affliction” poems, all contained in his collection The Temple. The first of the series, while not essentially autobiographical, did grow from Herbert’s life and experiences. While the poem begins with positive aspects of the speaker’s life,… Read More ›
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