A LADY VANISHES Towards the end of Rue Ordener, Rue Labat (1994), the terse and elegant autobiographical fiction she wrote just before terminating her life, Sarah Kofman (1934-94) inserts a brief episode relating her admiration for Alfred Hitchcock’s The Lady… Read More ›
May Whitty
Slavoj Žižek and Film Theory
We need the excuse of a fiction to stage what we really are. (Slavoj Zizek, in The Pervert’s Guide to Cinema [dir. Sophie Fiennes, 2005]) Would you allow this guy to take your daughter to a movie? Of course not…. Read More ›
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