In 1860, founder and publisher George Smith hired William Makepeace Thackeray as the first editor to write and critique material for The Cornhill Magazine. Eight other men worked as editors until the last issue appeared in 1900. Thackeray devoted issues… Read More ›
“Victorian poetry” is a term that does not quite coincide with the reign of Queen Victoria—a reign that began with the death of her uncle, William IV, in 1837 and lasted until her own death some 63 years later on… Read More ›
Dover Beach is Matthew Arnold’s most famous poem, as well as one of the standard poems in all Victorian canons. It was written sometime between 1848 and 1851 but not published till 1867, when Arnold had essentially ceased writing poetry…. Read More ›
The high-culture tradition is essentially a conservative one. It encompasses a defence of a narrowly defined high or elite ‘culture’, in the classic sense of Arnold’s ‘the best that has been thought and said’ (Arnold, Culture and Anarchy, 1869). This… Read More ›
Twentieth-century literary criticism and theory has comprised a broad range of tendencies and movements: a humanistic tradition, descended from nineteenth-century writers such as Matthew Arnold and continued into the twentieth century through figures such as Irving Babbitt and F. R…. Read More ›
John Dryden (1631–1700) occupies a seminal place in English critical history. Samuel Johnson called him “the father of English criticism,” and affirmed of his Essay of Dramatic Poesy (1668) that “modern English prose begins here.” Dryden’s critical work was extensive, treating… Read More ›
In 1844, Elizabeth Barrett Browning wanted to write “a poem of a new class,” one that included “[conversations & events” and “philosophical dreaming & digression.”1 She also wanted to purify George Gordon Byron‘s sexually contentious poetry, to write “a Don Juan,… Read More ›
Matthew Arnold (1822-1888), English poet, literary critic, and essayist, perceived reformative tendencies accompanying the burgeoning development of industrial society in nineteenth-century England that threatened the wavering hegemonic apparatus of secular and ecclesiastical order, and hindered the appreciation and expression of… Read More ›
A writer of significance in the history of American letters, even at the height of his fame Lionel Trilling (1905–1975) was considered ‘a critic without portfolio’. What this means for the contemporary reader, used to critical categories, theories and factional… Read More ›
F. R. Leavis became the major single target for the new critical theory of the 1970s. Both Raymond Williams in Politics and Letters (1979) and Terry Eagleton in Literary Theory: An Introduction (1983) bear witness to his enormous, ubiquitous influence in English Studies from the 1930s… Read More ›
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