Garcıa Márquez’s (1927-2014) first novella, Leaf Storm, was translated into English in 1972, eighteen years after it was published in Spanish and two years after the English-speaking public first read his acclaimed masterpiece One Hundred Years of Solitude. As might… Read More ›
The publication of Chronicle of a Death Foretold broke Gabriel Garcıa Marquez’s (1927-2014) self-imposed “publication strike.” (He had pledged to not publish anything for as long as Chilean dictator Augusto Pinochet remained in power.) Garcıa Marquez’s period of silence started… Read More ›
Carlos R. Rodr ́ıguez, a friend of Garcıa Marquez (1927-2014) and well-known literary critic, wrote that if One Hundred Years of Solitude had not secured the road to Stockholm for Garcıa Marquez to receive the Nobel Prize in literature, Love in… Read More ›
Many Western readers, ignorant of Islam and Hinduism, the 1947 partition of the Indian subcontinent and the creation of Pakistan, the India-Pakistan war of 1965, and the Pakistani civil war of 1974, may tend to read Salman Rushdie’s (born 19… Read More ›
Gabriel García Márquez (1927 – 2014) denies that the fictional world he describes in his novels is a world of fantasy. In an article about fantasy and artistic creation in Latin America, he concludes: “Reality is a better writer than… Read More ›
The term “African,” when applied in this essay to the novel and other literary genres, does not include the Arab states of the north or the peoples of European descent who may have settled in Africa. It refers to the… Read More ›
When white light hits glass one of two things can happen. Either you have an image, which is faithful if somewhat unexciting, or you have a glorious spectrum which though beautiful is rather a distortion. Light from the past passes… Read More ›
Rudolfo A. Anaya’s (1937-) works project a Magical Realism that blends contemporary life with the hidden manifestations of humanity and cultural identity. In his books, the principal characters struggle with the sometimes contradictory notions of Chicano identity tied both to… Read More ›
The majority of magical realist writing can be described as postcolonial. That is to say much of it is set in a postcolonial context and written from a postcolonial perspective that challenges the assumptions of an authoritative colonialist attitude. As… Read More ›
Postmodernism broadly refers to a socio-cultural and literary theory, and a shift in perspective that has manifested in a variety of disciplines including the social sciences, art, architecture, literature, fashion, communications, and technology. It is generally agreed that the postmodern… Read More ›
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