Between 1922 and 1943 Italy was ruled by a fascist dictatorship which used mainstream cinema as a means of disseminating officially sanctioned conceptions of national identity. A national regulatory body, the Direzione Generale della Cinematografica, was established in 1934 in… Read More ›
Luchino Visconti
The Sociology and Aesthetics of Film Adaptation
THE SOURCES OF FILMS Frequently the most narrow and provincial area of film theory, discourse about adaptation is potentially as far-reaching as you like. Its distinctive feature, the matching of the cinematic sign system to prior achievement in some other… Read More ›
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