We need the excuse of a fiction to stage what we really are. (Slavoj Zizek, in The Pervert’s Guide to Cinema [dir. Sophie Fiennes, 2005]) Would you allow this guy to take your daughter to a movie? Of course not…. Read More ›
Lacan
Christian Metz and Film Theory
Born in 1931 in Beziers in the south of France, Christian Metz died tragically at the end of 1993. Metz opened the way in the 1960s to the establishment of film theory as a new intellectual discipline. Indeed, articles (written… Read More ›
Key Theories of Alain Badiou
Alain Badiou (b. 1937) was born in Rabat, Morocco. With a father an agrégé, like himself, in philosophy, and a mother agre´ge´e in French, Badiou is also a product of the E´ cole Normale Superieure (ENS) (rue d’Ulm). It was… Read More ›
Key Theories of Marguerite Duras
Marguerite Duras (1914–1996) is one of France’s most important and interesting intellectual figures. She excelled at being a writer, filmmaker and dramatist. After the Second World War she also worked for a number of years as a journalist for France-Observateur…. Read More ›
Psychoanalytic Reading of Kafka’s The Man Who Disappeared
Kafka’s first novel, The Man who Disappeared (Der Verschollene), still better known in the English-speaking world at least under Max Brod’s title, Amerika, is set against the realist backdrop of the most modern and technologically advanced society in the world,… Read More ›
The Other, The Big Other, and Othering
Critical theorists are particularly committed to opposing binary oppositions where one side is seen as privileged over or defining itself against an Other (often capitalized), for example, male/female, Occident/Orient, center/margin. Through such binary oppositions, Homi Bhabha explains, “The Other loses… Read More ›
Psychoanalysis and the Cinema
Cinema and psychoanalysis were born around the same time. In 1895 the Grand Café of Paris hosted the first movie event of history, while at the same time Studies in Hysteria by Joseph Breuer and Sigmund Freud hit the shelves… Read More ›
