A question that can be asked of any century’s poetry is whether it owes its character to “forces”—nonliterary developments to which the poets respond more or less sensitively—or whether, on the other hand, the practice of innovative and influential poets… Read More ›
John Dryden
Analysis of John Dryden’s Mac Flecknoe
Although a first authorized published edition of Mac Flecknoe; or, A satyr upon the True-Blue-Protestant Poet, T.S. by John Dryden appeared in Miscellaney Poems in 1684, it had been circulated in unapproved versions since 1682. Critics cannot pinpoint the year… Read More ›
Analysis of John Dryden’s The Hind and the Panther
John Dryden wrote The Hind and the Panther (1687) in order to contribute to an ongoing dispute between Protestant and Catholic factions. While his exact date of conversion from devotion to the Church of England to Catholicism remains uncertain, it… Read More ›
Analysis of John Dryden’s Alexander’s Feast
John Dryden wrote his second ode (1697) in celebration of St. Cecilia’s Day, Alexander’s Feast; Or the Power of Music, 10 years after his first tribute, A Song for St. Cecilia’s Day. Set to music by Jeremiah Clarke, it became… Read More ›
Analysis of John Dryden’s Annus Mirabilis
With Annus Mirabilis: The Year of Wonders, 1666 John Dryden published his first major nondramatic poem, and his last major poem utilizing the heroic quatrain format. In addition to its subtitle, The Year of Wonders, 1666, the work contained an… Read More ›
Analysis of John Dryden’s Absalom and Achitophel
John Dryden’s publication of Absalom and Achitophel (1681) had a specific political motivation. He wrote the poem during the threat of revolution in England, connected to the so-called Popish plot and the move to exclude the reigning King Charles II’s… Read More ›
Analysis of John Dryden’s Plays
In a period of just over thirty years (1663-1694), John Dryden (August 9, 1631 – May 12, 1700) wrote or coauthored twenty-eight plays, an output that made him the most prolific dramatist of his day. His amplitude remains even more remarkable… Read More ›
Literary Criticism of John Dryden
John Dryden (1631–1700) occupies a seminal place in English critical history. Samuel Johnson called him “the father of English criticism,” and affirmed of his Essay of Dramatic Poesy (1668) that “modern English prose begins here.” Dryden’s critical work was extensive, treating… Read More ›
You must be logged in to post a comment.