Of all the film-philosophies of the twentieth century, it is perhaps Deleuze‘s that is most of the cinema. It attempts to belong to cinema rather than simply be about it. It shows us film thinking for itself. The magnanimity Deleuze… Read More ›
Jean Renoir
The Sociology and Aesthetics of Film Adaptation
THE SOURCES OF FILMS Frequently the most narrow and provincial area of film theory, discourse about adaptation is potentially as far-reaching as you like. Its distinctive feature, the matching of the cinematic sign system to prior achievement in some other… Read More ›
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