Although written in 1846, Charlotte Brontë’s first novel, The Professor, would not be published until after her 1855 death. Clearly autobiographical, it served as a model for her later, more fully developed version of her experiences in Brussels as a… Read More ›
The individualism and richness of Charlotte Brontë’s (21 April 1816 – 31 March 1855) work arise from the multiple ways in which Brontë’s writing is personal: observation and introspection, rational analysis and spontaneous emotion, accurate mimesis and private symbolism. Tension… Read More ›
Feminist long fiction features female characters whose quest for self-agency leads to conflict with a traditionally masculinist and patriarchal society. These novels have been harshly criticized and dismissed—and even ridiculed—for their nontraditional female characters. Feminist ideology in the Western world… Read More ›
Like Showalter, Gilbert and Gubar have analysed the nineteenth century for the position of the woman novelist in The Madwoman in the Attic (1979), the 2-volume No Man’s Land (1987-89) and their edition of The Norton Anthology of Literature by… Read More ›
A concept introduced by Elaine Showalter in Towards a Feminist Poetics gynocriticism refers to a kind of criticism with woman as writer/producer of textual meaning, as against woman as reader (feminist critique). Being concerned with the specificity of women’s writings (gynotexts)… Read More ›
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