Critical Theory is, by and large, concerned with the critique of MODERNITY, MODERNIZATION, and the modern state. The first generation of critical theorists – Max Horkheimer, Theodor Adorno, Herbert Marcuse, Walter Benjamin, Erich Fromm – came together in the early… Read More ›
Marx and Engels produced no systematic theory of literature or art. Equally, the subsequent history of Marxist aesthetics has hardly comprised the cumulative unfolding of a coherent perspective. Rather, it has emerged, aptly, as a series of responses to concrete… Read More ›
Psychoanalytic criticism (emerged in the 1960s), the most influential interpretative theory among the series of waves in the post war period is based on the specific premises of the workings of the mind, the instincts and sexuality, developed by the… Read More ›
While lauding 19th century Realism, Lukacs attacked modernist experimental writers as “decadent” instances of concern with the subjectivity of the alienated individual in the fragmented world of our late stage of capitalism. He thereby inaugurated a vigorous debate among Marxist… Read More ›
Marxism is a materialist philosophy which tried to interpret the world based on the concrete, natural world around us and the society we live in. It is opposed to idealist philosophy which conceptualizes a spiritual world elsewhere that influences and… Read More ›
From top left to right: Erich Fromm, Theodor Adorno, Max Horkheimer, Leo Löwenthal, Friedrich Pollock, Franz Leopold Neumann, Herbert Marcuse, Walter Benjamin. The Frankfurt School of philosophers, cultural critics and social scientists, the leading figures of which included Max Horkheimer,… Read More ›