“Sir Edmund Orme” is one of Henry James’s many tales that revolve around strange apparitions. A fascination with occult (magical, theosophical, mysterious, or even spiritual) phenomena is evident in many of James’s tales and short stories. Like his contemporaries George… Read More ›
Originally subtitled “A Study,” this novella was first published by Leslie Stephen, the father of Virginia Woolf, in the Cornhill Magazine. The choice of a British press cost Henry James his American rights. The sheer amount of pirated versions, however,… Read More ›
“The Turn of the Screw” was first published as a serial in Collier’s Weekly in 1898 and appeared later the same year in book form, in The Two Magics. Quickly becoming Henry James’s most popular piece of short fiction, The… Read More ›
One of Henry James’s most anthologized stories, The Real Thing was first published on April 16, 1892, in Black and White and later reprinted in the New York edition of James’s works (1909), a comprehensive, multivolume collection of James’s works…. Read More ›
First published in the English Review, this story, frequently interpreted in conjunction with “The Beast in the Jungle” and The Turn of the Screw, begins in medias res. Spencer Brydon, age 56, who has just returned to New York from… Read More ›
Written in 1892, Henry James‘s short story “Greville Fane” depicts the troubled and tumultuous relationship between a popular novelist, Greville Fane, and her two ungrateful children, Lady Ethel Luard and Leolin. The short story begins with the narrator’s receiving news… Read More ›
“Europe,” originally published in the story collection The Soft Side, is a useful encapsulation in short story form of the symbolic use of Europe that Henry James had employed so successfully in the novella Daisy Miller and later in a… Read More ›
Henry James (15 April 1843 –28 February 1916) believed that an author must be granted his donnée, or central idea, and then be judged on the execution of his material. James’s stories are about members of high society. The characters… Read More ›
From the ancient belief in humors to the twentieth and twenty-first centuries’ psychoanalytic and pharmacological methodologies, diverse theories about the mind have affected the literary production of novelists. Categorization according to these theories is difficult, because authors tend to mix… Read More ›
The gothic novel is a living tradition, a form that enjoys great popular appeal while provoking harsh critical judgments. It began with Horace Walpole’s The Castle of Otranto (1765), then traveled through Ann Radcliffe, Matthew Gregory Lewis, Charles Robert Maturin,… Read More ›
In his 1979 study, Critical Understanding: The Powers and Limits of Pluralism, Booth argues that there are five ways of approaching novels, or literary texts. The critic James Phelan summarizes these as follows: as an imitation of the world external… Read More ›
In the feverish political climate of the 1930s and 1940s outlined in the introductory section, American critics with left-wing sympathies tubarned James’s disavowal of any direct purpose for the novel against him. They approved of writers such as Theodore Dreiser… Read More ›
The novel has struggled to be taken seriously as an art form. The very title of James’s essay begins his campaign on its behalf: ‘art’ and ‘fiction’, often seen at odds with each other, are placed side by side here…. Read More ›
Henry James’s (1843 – 1916) distinctive contributions to the art of the novel were developed over a long career of some fifty years. Leon Edel, possibly the most renowned and respected James scholar, has indicated that James’s mature writing can… Read More ›
Realism was by no means a uniform or coherent movement; a tendency toward realism arose in many parts of Europe and in America, beginning in the 1840s. The major figures included Flaubert and Balzac in France, Fyodor Dostoyevsky and Leo Tolstoy… Read More ›
Though Henry James (1843–1916) was an American novelist, he saw the word “American” as embracing a certain cultural openness, or in his words, a “fusion and synthesis of the various National tendencies of the world.”1 The experience underlying James’ creative… Read More ›
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