Edward Bulwer-Lytton wrote a fantasy/science fiction piece in his novel Zanoni. The novel’s protagonist, labeled by those familiar with him in Italy “the rich Zanoni . . . his wealth is incalculable!,” possesses special powers of the occult that give… Read More ›
One of Henry James’s shortest novels, The Turn of the Screw first appeared in Collier’s Weekly. When published in a volume titled The Two Magics, it appeared with another story titled Covering End. Although brief, it captured readers’ imagination and… Read More ›
When William Harrison Ainsworth wrote Rookwood, he was struggling against a recent bankruptcy of the business he shared with his father-in-law. Returning to the practice of law in 1830 and anticipating the birth of his third daughter, according to biographer… Read More ›
In her fourth novel, Ann Radcliffe explores the machinery of the Gothic novel but reveals the mysteries referenced in her most popular work’s title. Its popularity validated her publisher’s interest in the work, which had gained unprecedented support by the… Read More ›
The story of the events that led Mary Shelley to write her Frankenstein story is now almost as well known as the plot itself. The tale began to take shape in 1816 as a result of ghost-story-telling sessions held among… Read More ›
Bram Stoker followed the lead set by Robert Louis Stevenson in The Strange Case of Dr. Jekyll and Mr. Hyde (1886) to write horror fiction. Such stories were enjoying a renewed prestige among the French, and Stevenson proved that modern… Read More ›
Horace Walpole’s The Castle of Otranto proved crucial to the development of Gothic fiction. As indicated by the book’s subtitle, Walpole (1717–97) designed it to provide readers with a romance incorporating a dark, moody villain, an endangered heroine, a hero… Read More ›
Founded and published by William Blackwood, Blackwood’s Edinburgh Magazine appeared monthly between April 1817 and December 1905. Edited in the beginning by James Pringle and Thomas Cleghorn, it was titled Blackwood’s Edinburgh Monthly for its first six issues. Blackwood assumed… Read More ›
The terms “Romanticism” and “Romantic” should not be confused with the popular meaning, as pertaining to love. “Romanticism” derives from the genre of the medieval romance, a heroic narrative emphasizing the importance of chivalry and valor in battle. Many Romantic… Read More ›
The term Gothicism in its literary meaning derives not from the Goths, an ancient Germanic tribe, but from the sense of Gothic as medieval. This literary movement may be seen as a reaction against the rationalism of the Enlightenment and… Read More ›
The theatrical quality of du Maurier’s (13 May 1907 – 19 April 1989) novels is evidenced by the frequency and reported ease with which her works were adapted for the big screen. Alfred Hitchcock directed film versions of Jamaica Inn,… Read More ›
The play of fear and laughter has been inscribed in Gothic texts since their inception, an ambivalence that disturbs critical categories that evaluate their seriousness or triviality. The uncertainty perpetuates Gothic anxieties at the level of narrative and generic form,… Read More ›
The play between mythological and modern significance, between mystical and scientific visions of horror and unity, sexuality and sacred violence, is focused in the figure of the vampire. In Mary Braddon’s ‘Good Lady Ducayne’ (1896) the vampire theme signals the… Read More ›
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