Marx and Engels produced no systematic theory of literature or art. Equally, the subsequent history of Marxist aesthetics has hardly comprised the cumulative unfolding of a coherent perspective. Rather, it has emerged, aptly, as a series of responses to concrete… Read More ›
Terry Eagleton’s contribution to Marxist cultural theory is broad in its range. While his earlier writing examined in some depth certain Marxist categories of literary-cultural analysis, his later, more popularizing, work has argued persuasively the need for theory. Eagleton has… Read More ›
German philosopher, sociologist and musicologist who was a leading member (and eventually director) of the Frankfurt Institute for Social Research (the institutional basis of the Frankfurt School of German critical theory), Theodor Adorno’s (1903-1969) work may be understood as an… Read More ›
The Hungarian philosopher and literary critic Gyorgy (or Georg) Lukacs (1885-1971) had a major influence on the development of Western Marxism (that is to say, the largely Hegelian Marxism developed in Western Europe), while also being the most sophisticated literary… Read More ›
From top left to right: Erich Fromm, Theodor Adorno, Max Horkheimer, Leo Löwenthal, Friedrich Pollock, Franz Leopold Neumann, Herbert Marcuse, Walter Benjamin. The Frankfurt School of philosophers, cultural critics and social scientists, the leading figures of which included Max Horkheimer,… Read More ›
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