Formalism

Chicago Critics

In 1937, John Crowe Ransom claimed that if the fledgling movement “for the erection of intelligent standards of criticism” were to succeed, “the credit would probably belong to Professor Ronald S. Crane, of the University of Chicago, more than to… Read More ›

New Criticism: An Essay

New Critics attempted to systematize the study of literature, and develop an approach that was centred on the rigorous study of the text itself. Thus it was distinctively formalist in character, focusing on the textual aspects of the text such as rhythm, metre, imagery and metaphor, by the method of close reading, as against reading that on the basis of external evidences such as the history, author’s biography or the socio-political/cultural conditions of the text’s production. Although the New Critics were against Coleridge’s Impressionistic Criticism, they seem to have inherited his concept of the poem as a unified organic whole which reconciles its internal conflicts and achieves a fine balance.