John Donne enforced a tight structure on his song Go and Catch a Falling Star (1630), with three stanzas each containing sestets with a rhyme scheme of ababcc and concluding with a rhyming triplet. That controlled format contrasts with the… Read More ›
Most critics agree that John Donne wrote The Flea during his youth, before becoming an ordained minister. It was first published as part of Songs and Sonnets in a posthumous collection that appeared in 1630, 1635, 1650, and 1669. As… Read More ›
An Essay on Criticism (1711) was Pope’s first independent work, published anonymously through an obscure bookseller [12–13]. Its implicit claim to authority is not based on a lifetime’s creative work or a prestigious commission but, riskily, on the skill and… Read More ›
Alexander Pope originally published Epistle to a Young Lady in 1712. His subject may have been imaginary or real, but in 1735 he changed the poem’s title to reference his dear friend, Martha Blount: Epistle to Miss Blount. They had… Read More ›
Alexander Pope spent some time considering the choice of form for his late-career rebuttal of those who had most demeaned him in print. He selected a poetic letter, Epistle to Dr. Arbuthnot (1734), which later critics would deem a rhetorical… Read More ›
Thomas Gray may have begun writing Elegy Written in a Country Churchyard as early as 1746. He discarded four stanzas of an early version, which were probably read by his friend Horace Walpole, and planned to title the work simply… Read More ›
Alexander Pope has long been acknowledged as one of the leading satirists of his age. Adopting the 18th-century belief that the “lash” of satire could lead to change, he applied that lash liberally in various works targeting those who established… Read More ›
When Oliver Goldsmith wrote his 431-line poem in rhyming couplets The Deserted Village (1770), he exhibited the talent for shrewd observation and scene for which he had gained a reputation. He also imbued this idealization of English rural life with… Read More ›
While discussion continues over the order in which John Donne wrote the individual poems that compose his Holy Sonnets, the critic Helen Gardner has argued convincingly that Death Be Not Proud was published in 1633. Structured as a variant of… Read More ›
Critics basically agree to divide John Donne’s writing into two groups related to his life stages, his romantic, or love, poetry in the stage dating prior to 1615, and the spiritual poetry emanating from the time of his ordination in… Read More ›
Critics feel fairly certain that one group of John Donne’s Holy Sonnets was published in 1633, a collection that included “Batter My Heart,” sometimes listed as “Batter My Heart, Three Person’d God.” It gained fame as a prime example of… Read More ›
With Annus Mirabilis: The Year of Wonders, 1666 John Dryden published his first major nondramatic poem, and his last major poem utilizing the heroic quatrain format. In addition to its subtitle, The Year of Wonders, 1666, the work contained an… Read More ›
George Herbert wrote five “Affliction” poems, all contained in his collection The Temple. The first of the series, while not essentially autobiographical, did grow from Herbert’s life and experiences. While the poem begins with positive aspects of the speaker’s life,… Read More ›
John Dryden’s publication of Absalom and Achitophel (1681) had a specific political motivation. He wrote the poem during the threat of revolution in England, connected to the so-called Popish plot and the move to exclude the reigning King Charles II’s… Read More ›
To a greater extent than any other literary form, the novel is consistently and directly engaged with the society in which the writer lives and feels compelled to explain, extol, or criticize. The English novel, from its disparate origins to… Read More ›
New Critics attempted to systematize the study of literature, and develop an approach that was centred on the rigorous study of the text itself. Thus it was distinctively formalist in character, focusing on the textual aspects of the text such as rhythm, metre, imagery and metaphor, by the method of close reading, as against reading that on the basis of external evidences such as the history, author’s biography or the socio-political/cultural conditions of the text’s production. Although the New Critics were against Coleridge’s Impressionistic Criticism, they seem to have inherited his concept of the poem as a unified organic whole which reconciles its internal conflicts and achieves a fine balance.
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