Thomas Steams Eliot (1888-1965) has described his criticism as a “by-product” of his “private poetry-workshop” and as “a prolongation of the thinking that went into the formation of my own verse” (On Poetry 117). These devaluations minimize his status as… Read More ›
In 1956, Eliot published On Poetry and Poets, his first major compilation of previously published essays since Selected Essays in 1932. Among the essays collected in the later volume is “What Is Minor Poetry?,” which Eliot had first delivered as… Read More ›
Another essay from that period in Eliot’s career as a social and literary critic when he was staking out the parameters of his conservative views, Religion and Literature was originally from a lecture organized by the Reverend V. A. Demant… Read More ›
Composed during the same period of early creative energy, innovation, and experimentation of 1910–11 that produced The Love Song of J. Alfred Prufrock, “Rhapsody on a Windy Night,” and “Preludes,” with which it was later collected in his first major… Read More ›
First presented on April 19, 1955, as a lecture at a literary luncheon organized by the London Conservative Union, The Literature of Politics was later collected in Eliot’s last collection of prose, To Criticize the Critic, which was published posthumously… Read More ›
In his preface, Eliot succinctly summarizes his aim and his hopes for this work, itself the published result of three lectures that he had delivered at Corpus Christi College, Cambridge, in March 1939 at the invitation of the Boutwood Foundation…. Read More ›
First presented as the Gideon Seymour Lecture at the University of Minnesota in 1956 and subsequently collected in On Poetry and Poets, this essay takes up where The Function of Criticism had left off some 33 years earlier. While it… Read More ›
This essay was presented in 1944 as the Presidential Address to the Virgil Society, then published by Faber & Faber in 1945, and finally collected in On Poetry and Poets in 1956. Eliot begins his remarks by moving straight to… Read More ›
On September 17, 1932, Eliot set sail from England, where he had been in residence virtually nonstop since the late summer of 1915, to assume for the coming academic year the Charles Eliot Norton professorship at his alma mater, Harvard… Read More ›
Notes towards the Definition of Culture (1948) Eliot himself gives an uncustomarily detailed account of the publication of Notes towards the Definition of Culture in his brief preface to the booklength edition first published in November 1948. Four years earlier,… Read More ›
There are a handful of indisputable influences on Eliot’s early and most formative period as a poet, influences that are corroborated by the poet’s own testimony in contemporaneous letters and subsequent essays on literature and literary works. Foremost among those… Read More ›
No poet in memory has ever had quite so spectacular a debut as the young T. S. Eliot when his poem The Love Song of J. Alfred Prufrock was first published in Poetry magazine in 1915, thanks in large part… Read More ›
This poem (1927), the first of Eliot’s contributions to the Ariel series, is, along with “A Song for Simeon,” certainly far easier to place within the immediate context of the Christmas season that inspires it than his later contributions might… Read More ›
Eliot first published the essay Hamlet and His Problems in Athenaeum on September 26, 1919, and subsequently the piece was collected in The Sacred Wood in 1920. SYNOPSIS In the essay, Eliot was ostensibly reviewing two recent books on William… Read More ›
Originally published in Eliot’s own literary review, the Criterion, and later collected in Selected Essays in 1932, “The Function of Criticism,” along with “The Frontiers of Criticism” (1956) and “To Criticize the Critic” (1961), provides a cogent commentary on what… Read More ›
At the end of October 1943, in the midst of the terrible violence, destruction, and slaughter of World War II, Faber & Faber, Eliot’s publisher since the mid-1920s, released Four Quartets. A relatively slim volume of poetry, it nevertheless brought… Read More ›
There is perhaps no poem of T. S. Eliot’s that is as deceptively complex as “Ash-Wednesday.” Like many of Eliot’s other works from the period following the publication of The Waste Land in late 1922 and the renown that it… Read More ›
Nothing could have prepared either the literary world in general or the curious reader who had been following Eliot’s career to date for the publication, in late 1922, of The Waste Land. Published in October of that year in Eliot’s… Read More ›
T.S. Eliot’s essay Tradition and the Individual Talent was first published as an anonymous piece in The Egoist, a London literary review, in September and December 1919 and subsequently included by Eliot in his first collection of essays, The Sacred Wood,… Read More ›
One of the critical concepts of New Criticism, “Intentional Fallacy” was formulated by Wimsatt and Beardsley in an essay in The Verbal Icon (1946) as the mistake of attempting to understand the author’s intentions when interpreting a literary work. Claiming… Read More ›
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