Phenomenology is a philosophy of experience. For phenomenology the ultimate source of all meaning and value is the lived experience of human beings. All philosophical systems, scientific theories, or aesthetic judgments have the status of abstractions from the ebb and… Read More ›
Edmund Husserl
The Philosophy of Friedrich Nietzsche
Friedrich Nietzsche (1844–1900 ce) is one of the most controversial figures in the history of philosophy. He also has become one of its most diversely influential thinkers. He was never an “academic philosopher” either by education or by profession, and… Read More ›
The Philosophy of Jacques Derrida
Jacques Derrida (1930–2004), a leading figure in French post-structuralist philosophy, is renowned for having developed deconstruction. His prolific writings treat both philosophical and literary works, and do so in various ways, of which deconstruction is the most philosophically significant. The… Read More ›
Deconstruction Theory
Deconstruction emerged out of a tradition of French philosophical thought strongly influenced by the phenomenological projects of Edmund Husserl and Martin Heidegger. The main concern of phenomenology is consciousness and essence. For Husserl, consciousness entailed an intention towards the essence… Read More ›
Key Theories of Hans Robert Jauss
The phenomenological method of Husserl and the hermeneutics of Heidegger paved the way for what became known as reception theory. One of the foremost figures of reception theory, Hans Robert Jauss (1921-1997), studied at the University of Heidelberg with the… Read More ›
Key Theories of Edmund Husserl
Much reader-response theory had its philosophical origins in the doctrine known as phenomenology, whose foundations were laid by the German philosopher Edmund Husserl (1859–1938). The Greek word phainomenon means “appearance.” Hence, as a philosophical attitude, phenomenology shifts our emphasis of… Read More ›
Maurice Merleau-Ponty’s Phenomenological Approach to Films
Maurice Merleau-Ponty wrote only one essay on film, yet his phenomenological approach informs problems of perception central to film. Taken up by some theorists as a welcome counterbalance to Marxist and psychoanalytic theories that tend to consider the film as… Read More ›
Reader Response Criticism: An Essay
Reader Response, primarily a German and American offshoot of literary theory, emerged (prominent since 1960s) in the West mainly as a reaction to the textual emphasis of New Criticism of the 1940s. New Criticism, the culmination of liberal humanist ideals,… Read More ›
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