Born Vietnam in 1953, Trinh T. Minh-ha came to the United States, studied music and comparative literature at the University of Illinois, and she studied ethnomusicology in France. Her later experience as a researcher in Senegal led directly to her… Read More ›
Helene Cixous‘ work has been influenced by Derridean deconstruction. Essays such as The Laugh of the Medusa, Sorties, Coming to Writing and Other Essays (1991), Readings and The Newly Born Woman (with Catherine Clement, translation in 1986) are her attempts to discover… Read More ›
The Feminist movement in America received great stimulus from the 1960s’ civil rights movement, and in Britain it has had a political orientation, insisting on situating both feminist concerns and literary texts within a material and ideological context. Thus Anglo-American… Read More ›
Introduced by Helene Cixous in her essay, The Laugh of the Medusa, ecriture feminine refers to a uniquely feminine style of writing characterised by disruptions in the text, such as gaps, silences, puns, new images and so on. It is… Read More ›
A frequently heard feminist rallying cry, especially during the late 1960s and 1970s, and a central doctrine of the second-wave feminists, who used its underlying meaning in their writings, speeches, consciousness-rising, and other other activities, the concept “the personal is… Read More ›
In her highly influential critical A Room of Ones Own (1929), Virginial Woolf studied the cultural, economical and educational disabilities within the patriarchal system that prevent women from realising their creative potential. With her imaginary character Judith (Shakespeare’s fictional sister),… Read More ›
Feminism as a movement gained potential in the twentieth century, marking the culmination of two centuries’ struggle for cultural roles and socio-political rights — a struggle which first found its expression in Mary Wollstonecraft‘s Vindication of the Rights of Woman… Read More ›