All of Forster’s best-known and most anthologized stories appeared first in two collections, The Celestial Omnibus and The Eternal Moment. The words “celestial” and “eternal” are especially significant because a typical E. M. Forster story features a protagonist who is… Read More ›
E. M. Forster’s (1 January 1879 – 7 June 1970) most systematic exposition of the novelist’s art, Aspects of the Novel, is no key to his own practice. Written three years after the publication of A Passage to India, the… Read More ›
John Hawkes once divulged that when he began to write he assumed that “the true enemies of the novel were plot, character, setting and theme”. Certainly many subsequent authors have done their best to sledgehammer these four literary cornerstones into… Read More ›
In his epistemological work on colonial and postcolonial discourse, cultural translation, hybridity and ambiguity, Homi Bhabha gives a central place to culture. Bhabha refers regularly to literature and (albeit to a lesser extent) to cinema. Speaking from a profoundly humanities… Read More ›
A writer of significance in the history of American letters, even at the height of his fame Lionel Trilling (1905–1975) was considered ‘a critic without portfolio’. What this means for the contemporary reader, used to critical categories, theories and factional… Read More ›
An increasingly important term in post-colonial theory, because it has come to describe the ambivalent relationship between colonizer and colonized. When colonial discourse encourages the colonized subject to ‘mimic’ the colonizer, by adopting the colonizer’s cultural habits, assumptions, institutions and… Read More ›
One of the prominent books of the Postmodern era, on par with Darwin‘s On the Origin of Species, Marx‘ Das Capital and Freud‘s Interpretation of Dreams, Edward Said‘s Orientalism (1978) inaugurated postcolonial theory. Appearing at the same time as the… Read More ›
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