A look at media at the beginning of the twenty-first century makes one thing certain: nothing is certain in terms of media boundaries and specificities. The cinema, for example, is a composite of elaborate sound and visual systems, enhanced by… Read More ›
Third Cinema, as Stephen Crofts points out, is one of the most “elastic” concepts in the cinematic lexicon (Crofts 31). It is distinct from First Cinema, represented primarily by Hollywood, and Second Cinema, embodied by the European art cinema and… Read More ›