During the 1960s, Tamura Ryūichi published two poems as separate, exceptionally slim volumes. One was Research into Fear (or A Study of Fear, 1963); the other was Decaying Matter (or A Perishable Substance, 1966). One of Tamura’s translators commented: “In… Read More ›
One of du Bouchet’s most challenging palimpsests of synesthetic theory and praxis, his book-length poem Peinture (1983) at once discusses and inhabits creative processes of unwriting and unpainting. Examining fluid thresholds between “painting,” disappearance, and the open, the text performs… Read More ›
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