Bram Stoker followed the lead set by Robert Louis Stevenson in The Strange Case of Dr. Jekyll and Mr. Hyde (1886) to write horror fiction. Such stories were enjoying a renewed prestige among the French, and Stevenson proved that modern… Read More ›
Bram Stoker
Analysis of Bram Stoker’s The Squaw
An unseasonable short story that Bram Stoker wrote in 1893 for Holly Leaves (the Christmas number of the Illustrated Sporting and Dramatic News), “The Squaw” is set in Nuremberg, a city that Stoker had visited in 1885. A self-regarding, unnamed… Read More ›
Horror Novels and Novelists
By the end of the nineteenth century, writers interested in exploring supernatural themes had abandoned the mode of gothic fiction pioneered by eighteenth century English novelist Horace Walpole. Walpole and his imitators had exploited such props as medieval ruins and… Read More ›
Gothic Novels and Novelists
The gothic novel is a living tradition, a form that enjoys great popular appeal while provoking harsh critical judgments. It began with Horace Walpole’s The Castle of Otranto (1765), then traveled through Ann Radcliffe, Matthew Gregory Lewis, Charles Robert Maturin,… Read More ›
Vampire Narrative
The play between mythological and modern significance, between mystical and scientific visions of horror and unity, sexuality and sacred violence, is focused in the figure of the vampire. In Mary Braddon’s ‘Good Lady Ducayne’ (1896) the vampire theme signals the… Read More ›
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