“Impressions: The Wrightsman Magdalene” first appeared in FMR Magazine in February 1992. It was subsequently published in American Ghosts and Old World Wonders, the short story collection that appeared the year after Angela Carter’s death in 1992, and again in… Read More ›
Originally published in British Vogue, “The Courtship of Mr. Lyon” is one of the nine pieces contained in The Bloody Chamber and Other Stories (1979), Angela Carter’s feminist rewriting of traditional fairy tales. In particular, “The Courtship of Mr. Lyon”… Read More ›
One of Angela Carter‘s most famous short stories, “The Company of Wolves” was first published in the innovative and imaginative 1979 collection of fairy-tale themed stories, The Bloody Chamber. “The Company of Wolves” skillfully interweaves peasant superstitions, such as old… Read More ›
This story was originally published in 1980 in the series Next Editions and was reprinted in 1984 in Angela Carter’s collection Black Venus. The common concern of the stories gathered in this volume is the demystifi cation of famous historical… Read More ›
The search for self and for autonomy is the underlying theme of most of Angela Carter’s ) ( 7 May 1940 – 16 February 1992), fiction. Her protagonists, usually described as bored or in some other way detached from their… Read More ›
The term “fantasy” refers to all works of fiction that attempt neither the realism of the realistic novel nor the “conditional realism” of science fiction. Among modern critics, the primacy of the realistic novel is taken for granted. Realistic novels… Read More ›
Iconoclastic and irreverent, the postmodern novel is by definition a radical experiment that emerges when a writer feels the customary tropes of fiction have been exhausted. For the postmodernist, the well-worn genre of the novel is insufficient and no longer… Read More ›
The play of fear and laughter has been inscribed in Gothic texts since their inception, an ambivalence that disturbs critical categories that evaluate their seriousness or triviality. The uncertainty perpetuates Gothic anxieties at the level of narrative and generic form,… Read More ›
A term originally coined by Linda Hutcheon, in A Poetics of Postmodernism, historiographic metafiction includes those postmodern works, usually popular novels, which are “both intensely self-reflexive and paradoxically lay claim to historical events and personages”. This is categorically a postmodern… Read More ›
Postmodernism broadly refers to a socio-cultural and literary theory, and a shift in perspective that has manifested in a variety of disciplines including the social sciences, art, architecture, literature, fashion, communications, and technology. It is generally agreed that the postmodern… Read More ›
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